Special Section, European ShakespearesGraham Bradshaw, Tom Bishop Ashgate, 2008 - 303 pàgines This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics. |
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Pàgina 121
... characters that the term refers to a sudden insight into one's own consciousness , an insight achieved while talking either to oneself or to others . Bloom's contention is that this insight is the basis of whatever change an individual ...
... characters that the term refers to a sudden insight into one's own consciousness , an insight achieved while talking either to oneself or to others . Bloom's contention is that this insight is the basis of whatever change an individual ...
Pàgina 123
... characters should be read . Agency in Shakespeare , I propose , is closely linked to strong evaluation , in the sense that a character's identity is determined by what is of crucial importance to him or her . In other words , there is ...
... characters should be read . Agency in Shakespeare , I propose , is closely linked to strong evaluation , in the sense that a character's identity is determined by what is of crucial importance to him or her . In other words , there is ...
Pàgina 133
... characters ' orientations rather than the actions they take or fail to take will by no means solve the interpretive disagreements so characteristic of Shakespearean criticism - indeed , of all literary criticism . However , it might ...
... characters ' orientations rather than the actions they take or fail to take will by no means solve the interpretive disagreements so characteristic of Shakespearean criticism - indeed , of all literary criticism . However , it might ...
Continguts
From the Unfamiliar to the Defamiliarised | 51 |
5 | 61 |
Peter Brooks | 71 |
Copyright | |
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The Shakespearean International Yearbook: Volume 8: Special section ... Graham Bradshaw,Tom Bishop Previsualització limitada - 2017 |
The Shakespearean International Yearbook: Volume 8: Special Section ... Graham Bradshaw,Tom Bishop Previsualització no disponible - 2020 |
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