Love and Marriage in ShakespeareS. Chand, 1977 - 368 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 62.
Pàgina 127
... audience and not by either to the other . -Come I will have thee ; but , by this light , I take thee for pity . -I would not deny you ; but , by this good day I yield upon great persuasion ; and partly to save Your life , for I was told ...
... audience and not by either to the other . -Come I will have thee ; but , by this light , I take thee for pity . -I would not deny you ; but , by this good day I yield upon great persuasion ; and partly to save Your life , for I was told ...
Pàgina 219
... audience to understand that it is really the story of the tragic action in which Othello figures as its motivating ... audience , unlike the rich , but delicately reticent imagery of Antony and Cleopatra . Marriage and its consummation ...
... audience to understand that it is really the story of the tragic action in which Othello figures as its motivating ... audience , unlike the rich , but delicately reticent imagery of Antony and Cleopatra . Marriage and its consummation ...
Pàgina 292
... audience seeing primarily is believing ; and not mere hearing . 6. The comparative silence of Hermione after her restora- tion in V.iii . leaves lack of savoury in the dramatic fare . 7. The insoluble problem to the present writer ...
... audience seeing primarily is believing ; and not mere hearing . 6. The comparative silence of Hermione after her restora- tion in V.iii . leaves lack of savoury in the dramatic fare . 7. The insoluble problem to the present writer ...
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Frases i termes més freqüents
A.L. Rowse action Antony and Cleopatra asserts audience Bassanio Beatrice beauty Benedick Bianca Caesar Caesario Caliban character Claudio consequently Cressida Cymbeline daughter death Don Pedro dramatic Duke emotional Enobarbus evil faith father female feminine Ferdinand freedom grace Gremio Hamlet happy hath heart Hermione Hero Hortensio human husband Imogen Kate Katharine King lady Leonato Leontes live London look lord love and marriage Love's Labour's Lost Love's Labour's Won lovers Lucentio Luciana lust Macbeth male married means Medieval Miranda Modern moral nature Nerissa Olivia Orlando Othello passion Perdita person Petruchio play Polixenes Portia Posthumus Prince Prince Hamlet Princess Prospero Proteus Queen redemptive love Renaissance romantic love Rosalind sense sexes sexual Shakespeare shrew Silvia social soul speak speech spirit tells Tempest thee things thou tragedy tragic world Troilus and Cressida true love true minds truth Viola virtue wife woman women wooing words