Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 pàgines The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
Des de l'interior del llibre
Resultats 1 - 3 de 87.
Pàgina 14
... tragic heroes are slaves of passion , King Lear being ' a tragedy of wrath in old age ' , Othello , predictably , ' a tragedy of jealousy ' , and Macbeth , less predictably , ' a study in fear ' . But even if Miss Campbell convinced us ...
... tragic heroes are slaves of passion , King Lear being ' a tragedy of wrath in old age ' , Othello , predictably , ' a tragedy of jealousy ' , and Macbeth , less predictably , ' a study in fear ' . But even if Miss Campbell convinced us ...
Pàgina 186
... control either his pride or his passion ; but Aufidius is able to destroy him not because of his vice , but because his vice is conquered by love . ΙΟ TIMON OF ATHENS Like as false and couterfeit pieces 186 Shakespeare's Tragic Sequence.
... control either his pride or his passion ; but Aufidius is able to destroy him not because of his vice , but because his vice is conquered by love . ΙΟ TIMON OF ATHENS Like as false and couterfeit pieces 186 Shakespeare's Tragic Sequence.
Pàgina 195
... tragic drama ' . " But even the histrionic abilities of Wilfred Walter , Paul Scofield and of Wilson Knight himself did not make it seem wholly satisfying as an acting play : some scenes were compara- tively inert . Yet the last two ...
... tragic drama ' . " But even the histrionic abilities of Wilfred Walter , Paul Scofield and of Wilson Knight himself did not make it seem wholly satisfying as an acting play : some scenes were compara- tively inert . Yet the last two ...
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Frases i termes més freqüents
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Referències a aquest llibre
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Visualització de fragments - 2006 |