Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 pàgines The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Resultats 1 - 3 de 29.
Pàgina 115
... guilt . Some critics have also found her guilty , not of adultery but of mis- behaviour . Professor Bonnard argued43 that the original audience would have regarded her elopement as a crime and that all their sympathies would have been ...
... guilt . Some critics have also found her guilty , not of adultery but of mis- behaviour . Professor Bonnard argued43 that the original audience would have regarded her elopement as a crime and that all their sympathies would have been ...
Pàgina 149
... guilty fear : This is the very painting of your fear : This is the air - drawn dagger which , you said , Led you to Duncan . ( III.iv.61-3 ) His use of murderers does not enable him to evade a sense of guilt and his behaviour at the ...
... guilty fear : This is the very painting of your fear : This is the air - drawn dagger which , you said , Led you to Duncan . ( III.iv.61-3 ) His use of murderers does not enable him to evade a sense of guilt and his behaviour at the ...
Pàgina 153
... guilty - of Duncan , Banquo , Lady Macduff ; she is obsessed by the need to prevent him from revealing his guilt and to calm his terrors ; and the symbolic action of washing her hands is a fitting answer to her boast that a little water ...
... guilty - of Duncan , Banquo , Lady Macduff ; she is obsessed by the need to prevent him from revealing his guilt and to calm his terrors ; and the symbolic action of washing her hands is a fitting answer to her boast that a little water ...
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action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Referències a aquest llibre
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Visualització de fragments - 2006 |