Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 pàgines The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
Des de l'interior del llibre
Resultats 1 - 3 de 9.
Pàgina 68
... Rosencrantz and Guildenstern . As Leo Kirschbaum argued , 27 they do not know that they are carrying Hamlet to his execution . Horatio's comment ' So Rosencrantz and Guilden- stern go to't ' - could be taken as a criticism of Hamlet's ...
... Rosencrantz and Guildenstern . As Leo Kirschbaum argued , 27 they do not know that they are carrying Hamlet to his execution . Horatio's comment ' So Rosencrantz and Guilden- stern go to't ' - could be taken as a criticism of Hamlet's ...
Pàgina 88
... Rosencrantz and Guildenstern and therefore if Hamlet did not act quickly it would be too late . On this Hamlet remarks calmly , ' The interim is mine ' . But he also has a premonition of his own death and a quiet acceptance of it which ...
... Rosencrantz and Guildenstern and therefore if Hamlet did not act quickly it would be too late . On this Hamlet remarks calmly , ' The interim is mine ' . But he also has a premonition of his own death and a quiet acceptance of it which ...
Pàgina 91
... Rosencrantz , Guildenstern and Gertrude are directly or indirectly due to Hamlet's failure to strike the King at his prayers . As I have said51 elsewhere , what Shakespeare did was to imagine a ' noble ' and ' sweet ' Prince , sensitive ...
... Rosencrantz , Guildenstern and Gertrude are directly or indirectly due to Hamlet's failure to strike the King at his prayers . As I have said51 elsewhere , what Shakespeare did was to imagine a ' noble ' and ' sweet ' Prince , sensitive ...
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Frases i termes més freqüents
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Referències a aquest llibre
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Visualització de fragments - 2006 |