Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 pàgines The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
Des de l'interior del llibre
Resultats 1 - 3 de 16.
Pàgina 30
... Richard II . Although Shakespeare shows us John tempted and falling - not one who deliberately chooses evil - his death is not shown as directly relevant to his actions . The play is less coherent than either Richard III or Richard II ...
... Richard II . Although Shakespeare shows us John tempted and falling - not one who deliberately chooses evil - his death is not shown as directly relevant to his actions . The play is less coherent than either Richard III or Richard II ...
Pàgina 33
... Richard's tragedy and England's is another way in which this play shows an advance . The last speech of Richard III ends with the peace of the Tudor settlement , the marriage of the white rose and the red ; but we are not conscious ...
... Richard's tragedy and England's is another way in which this play shows an advance . The last speech of Richard III ends with the peace of the Tudor settlement , the marriage of the white rose and the red ; but we are not conscious ...
Pàgina 34
... Richard II and Romeo and Juliet the various groups of images are used rather to underline or reveal the basic themes of the plays . In Richard II , as Richard D. Altick has shown , the symbolism ' is dominated by the related words earth ...
... Richard II and Romeo and Juliet the various groups of images are used rather to underline or reveal the basic themes of the plays . In Richard II , as Richard D. Altick has shown , the symbolism ' is dominated by the related words earth ...
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Referències a aquest llibre
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Visualització de fragments - 2006 |