The New Moulton's Library of Literary Criticism, Volum 2Harold Bloom Chelsea House Publishers, 1985 - 650 pàgines Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
Des de l'interior del llibre
Resultats 1 - 3 de 9.
Pàgina
... STAGE. NOMENCLATURE. Figure 1.2A also shows the area between the plaster line and the edge of the stage, often referred to as the apron. In some theatres, a gap exists between the edge of the stage and the audience. This architectural ...
... STAGE. NOMENCLATURE. Figure 1.2A also shows the area between the plaster line and the edge of the stage, often referred to as the apron. In some theatres, a gap exists between the edge of the stage and the audience. This architectural ...
Pàgina 72
... stage or secondary rise -- Sampling is usually more critical on the rising than on the falling stage of a flood event . However , single - stage samplers can be adapted to sample on falling stages . One type of adaptation is shown in ...
... stage or secondary rise -- Sampling is usually more critical on the rising than on the falling stage of a flood event . However , single - stage samplers can be adapted to sample on falling stages . One type of adaptation is shown in ...
Pàgina 72
... stage was fixed, seldom was it raised; a simple red carpet still designated the stage, and a portable screen might serve as a divide between the stage and the greenroom, if a greenroom were necessary. The space occupied by the stage was ...
... stage was fixed, seldom was it raised; a simple red carpet still designated the stage, and a portable screen might serve as a divide between the stage and the greenroom, if a greenroom were necessary. The space occupied by the stage was ...
Continguts
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
Copyright | |
No s’hi han mostrat 14 seccions
Frases i termes més freqüents
action actor admiration Æschylus appears Bacon beauty Ben Jonson Brutus Cæsar called character comedy Comedy of Errors comic Coriolanus critics death drama dramatist dream Duke effect English expression eyes Falstaff fancy feel genius give Hamlet hand hath heart Henry human imagination Johnson Juliet Julius Cæsar King language Lear learned less living Lord Love's Labour's Lost lovers Macbeth matter means Measure for Measure Midsummer Night's Dream mind moral nature never night noble Othello passages passion perhaps persons philosophy piece Plautus play poem poet poetic poetry Prince reader reason Richard Richard II Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sonnets soul speak speare speare's speech spirit stage story Stratford style sweet thing thou thought tion tragedy true truth Twelfth Night verse whole William Shakespeare words write youth