The New Moulton's Library of Literary Criticism, Volum 2Harold Bloom Chelsea House Publishers, 1985 - 650 pàgines Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
Des de l'interior del llibre
Resultats 1 - 3 de 88.
Pàgina 531
Harold Bloom. PREFACE This second volume of The New Moulton's Library of Literary Criticism is devoted to criticism of William Shakespeare from 1592 to the turn of the twentieth century . The usual cut - off date for material in this ...
Harold Bloom. PREFACE This second volume of The New Moulton's Library of Literary Criticism is devoted to criticism of William Shakespeare from 1592 to the turn of the twentieth century . The usual cut - off date for material in this ...
Pàgina 674
... critics and com- mentators as hopelessly unintelligible , or only very imperfectly and erroneously explained . So far at least as we are acquainted with Shakespearian criticism , most of the explanations now proposed of obscure terms ...
... critics and com- mentators as hopelessly unintelligible , or only very imperfectly and erroneously explained . So far at least as we are acquainted with Shakespearian criticism , most of the explanations now proposed of obscure terms ...
Pàgina 712
... criticism evolved , still continued to arrange themselves . For the discoveries of this criticism had yet no tendency to suggest any new belief on this point . In the face of all that new appreciation of the works themselves , which was ...
... criticism evolved , still continued to arrange themselves . For the discoveries of this criticism had yet no tendency to suggest any new belief on this point . In the face of all that new appreciation of the works themselves , which was ...
Continguts
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
Copyright | |
No s’hi han mostrat 14 seccions
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action actor admiration Æschylus appears Bacon beauty Ben Jonson Brutus Cæsar called character comedy Comedy of Errors comic Coriolanus critics death drama dramatist dream Duke effect English expression eyes Falstaff fancy feel genius give Hamlet hand hath heart Henry human imagination Johnson Juliet Julius Cæsar King language Lear learned less living Lord Love's Labour's Lost lovers Macbeth matter means Measure for Measure Midsummer Night's Dream mind moral nature never night noble Othello passages passion perhaps persons philosophy piece Plautus play poem poet poetic poetry Prince reader reason Richard Richard II Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sonnets soul speak speare speare's speech spirit stage story Stratford style sweet thing thou thought tion tragedy true truth Twelfth Night verse whole William Shakespeare words write youth