An Essay on the Genius of Shakespeare: With Critical Remarks on the Characters of Romeo, Hamlet, Juliet, and Ophelia ; Together with Some Observations on the Writings of Sir Walter Scott. To which is Annexed, A Letter to Lord -----, Containing a Critique on Taste, Judgment, and Rhetorical Expression, and Remarks on the Leading Actors of the Day ...J. Bigg, 1826 - 206 pàgines |
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Resultats 1 - 5 de 25.
Pàgina 2
... tones of a harp , struck by such a mighty master as Shakespeare . The melody has been flung too harmoniously on my ear , and the breathings of its chords has been thrown too hurriedly on a mind , perhaps too sensible to the beauty which ...
... tones of a harp , struck by such a mighty master as Shakespeare . The melody has been flung too harmoniously on my ear , and the breathings of its chords has been thrown too hurriedly on a mind , perhaps too sensible to the beauty which ...
Pàgina 6
... tones with the might and the melody of an omni- potence ! - Where shall we look for his rival ? I in vain look around me to try and place some mighty spirit by his side , but I see him not . There is a peculiar and a flowing sweetness ...
... tones with the might and the melody of an omni- potence ! - Where shall we look for his rival ? I in vain look around me to try and place some mighty spirit by his side , but I see him not . There is a peculiar and a flowing sweetness ...
Pàgina 7
... tones , and gives itself up to his guidance as if overpowered and entranced . What other mortal had this power but Shakespeare ? Why should he not have had it , when he was Nature's own child - her favourite son - her beloved offspring ...
... tones , and gives itself up to his guidance as if overpowered and entranced . What other mortal had this power but Shakespeare ? Why should he not have had it , when he was Nature's own child - her favourite son - her beloved offspring ...
Pàgina 23
... tones struck from the harp that this master of surpassing melody knew so well how to sweep . The chords of it are all strung to love . Blighted and unhappy , but fond and overwhelming love is his theme ; and with mighty and magic ...
... tones struck from the harp that this master of surpassing melody knew so well how to sweep . The chords of it are all strung to love . Blighted and unhappy , but fond and overwhelming love is his theme ; and with mighty and magic ...
Pàgina 24
... tones of dark and most melancholy woe , he tells a tale of love- That tale of true love , that never did run smooth ! Romeo is a most difficult character to perform . I shall own to the reader that ( like the " Dori- court " of Mrs ...
... tones of dark and most melancholy woe , he tells a tale of love- That tale of true love , that never did run smooth ! Romeo is a most difficult character to perform . I shall own to the reader that ( like the " Dori- court " of Mrs ...
Altres edicions - Mostra-ho tot
An Essay on the Genius of Shakespeare: With Critical Remarks on the ... Henry Mercer Graves Visualització completa - 1826 |
An Essay on the Genius of Shakespeare: With Critical Remarks on the ... William Shakespeare,Henry Mercer Graves Visualització completa - 1826 |
An Essay on the Genius of Shakespeare: With Critical Remarks on the ... Henry Mercer Graves Visualització de fragments - 1826 |
Frases i termes més freqüents
acting actor appear beautiful biped bright eye brilliant Byron character charm colouring comedy countenance Covent Garden critic delightful divine Doricourt drama drawing-room eloquent eminently English language evince exquisite favourite feel fond Garrick genius gentleman give graceful groundlings Hamlet hand harp heard heart Highflyer humour infinitely inimitable insi insinuating instantly Juliet Kean Kemble Lady lips look Lord Lordship manner Mark melody Michael Cassio mighty mind Mirabel nature never night once Ophelia orator Othello painting passion perceive perform perhaps person play poet poetry Polonius possess powerful present day racter Ranting reader remark reply rhetorical expression Romeo Romeo and Juliet scene School for Scandal seen Shakespeare speak speech stage style suasive sweet talent taste and judgment tell Thalia theatre thee thing thou tion tones touch uncon voice wish woman words would-be would-be's write
Passatges populars
Pàgina 14 - Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night. Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet, if thou swear'st, Thou mayst prove false: at lovers' perjuries, They say, Jove laughs.
Pàgina 60 - The observed of all observers, quite, quite down! And I, of ladies most deject and wretched, That sucked the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh ; That unmatched form and feature of blown youth Blasted with ecstasy.
Pàgina 140 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of which one must in your allowance o'erweigh a whole theatre of others.
Pàgina 140 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Pàgina 12 - What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
Pàgina 15 - I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered.
Pàgina 15 - My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
Pàgina 21 - Wilt thou be gone ? it is not yet near day. It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear; Nightly she sings on yon pomegranate tree. Believe me, love, it was the nightingale.
Pàgina 39 - With this regard, their currents turn awry, And lose the name of action. — Soft you, now ! The fair Ophelia : — Nymph, in thy orisons Be all my sins remembered.
Pàgina 15 - O, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable.