Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 49.
Pàgina 143
... relation of one ; pity , by the sight of a mournful object or the relation of one ; ad- miration or wonder ( the common passion , I mean , for there is an enthusiastic admiration , as we shall find anon ) by the sight of a strange ...
... relation of one ; pity , by the sight of a mournful object or the relation of one ; ad- miration or wonder ( the common passion , I mean , for there is an enthusiastic admiration , as we shall find anon ) by the sight of a strange ...
Pàgina 326
... relation of cause and effect are the principles of association which the passions employ most frequently , and which suggest the longest trains of ideas . These give ideas the most perfect relation to a passion , and almost every idea ...
... relation of cause and effect are the principles of association which the passions employ most frequently , and which suggest the longest trains of ideas . These give ideas the most perfect relation to a passion , and almost every idea ...
Pàgina 579
... relation to this character , and if we trace them back , we shall discover not only a connection between the individual thoughts of the train , but also a general relation among the whole and a conformity to that peculiar emotion which ...
... relation to this character , and if we trace them back , we shall discover not only a connection between the individual thoughts of the train , but also a general relation among the whole and a conformity to that peculiar emotion which ...
Continguts
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Copyright | |
No s’hi han mostrat 19 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing