Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 75.
Pàgina 326
... means of these principles really influences the passion . Co- existence suggests the qualities , the circumstances , the accessories , and the concomitants of those objects which are closely connected with the passion ; and the more of ...
... means of these principles really influences the passion . Co- existence suggests the qualities , the circumstances , the accessories , and the concomitants of those objects which are closely connected with the passion ; and the more of ...
Pàgina 389
... means not manifestly absurd give pleasure . And hence a certain musical cadence , or what we call " rhythm , " will be affected by the poet . But of all the means of adorning and enlivening a discourse by words , which are infinite ...
... means not manifestly absurd give pleasure . And hence a certain musical cadence , or what we call " rhythm , " will be affected by the poet . But of all the means of adorning and enlivening a discourse by words , which are infinite ...
Pàgina 544
... means is raised and elevated above all others , and by the same means the compass of art itself is enlarged . We often see grave and great subjects attempted by artists of another school who - though excellent in the lower class of art ...
... means is raised and elevated above all others , and by the same means the compass of art itself is enlarged . We often see grave and great subjects attempted by artists of another school who - though excellent in the lower class of art ...
Continguts
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Copyright | |
No s’hi han mostrat 20 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing