Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 81.
Pàgina 432
... Language [ 1755 ] My purpose was to admit no testimony of living authors , that I might not be misled by partiality , and that none of my contempo- raries might have reason to complain ; nor have I departed from this resolution but when ...
... Language [ 1755 ] My purpose was to admit no testimony of living authors , that I might not be misled by partiality , and that none of my contempo- raries might have reason to complain ; nor have I departed from this resolution but when ...
Pàgina 433
... language , and put a stop to those al- terations which time and chance have hitherto been suffered to make in it without opposition . With this consequence I will con- fess that I flattered myself for a while ; but now begin to fear ...
... language , and put a stop to those al- terations which time and chance have hitherto been suffered to make in it without opposition . With this consequence I will con- fess that I flattered myself for a while ; but now begin to fear ...
Pàgina 588
... language which bears a peculiar reference to the words or sentiments that excited it . It is merely accidental that the imagery , in whose service the language thus suggested is employed , has any affinity to the subject from which it ...
... language which bears a peculiar reference to the words or sentiments that excited it . It is merely accidental that the imagery , in whose service the language thus suggested is employed , has any affinity to the subject from which it ...
Continguts
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Copyright | |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing