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William of Wykeham, founder of Winchester College, his arms and outlay, 149

Wilson, Professor, cited on the Svastika as primarily an ornament, 43, on the Svastika on Assyrian coins and those of Alexander the Great, 47

Sir Matthew, former owner of painting by Rembrandt,
Portrait of a Lady, (Hage), 360

Winchester Cathedral, marriage of Queen Mary to Philip of
Spain in, 150

City, importance of, as one time capital of England, 149
College, The Plate of; P. Macquoid, 149

its founder, 149; visitors to, and their gifts of plate, 149-50;
inventory of plate of, temp. Henry VIII., 150; seques-
tration of the plate, temp. Edward VI., ib; subsequent
gifts of new plate to, 155; description of principal exist-
ing pieces, 155 et seq.

Marquis of, circ. 1682., Silver-gilt cup with cover presented by, to Winchester College, 156

Windows, see Glass, Painted Windows, etc.

Woertz Museum, painting attributed to Memlinc owned by,

(Bruges, 1903.), condition of, 35

Wolvesey Castle, visit to, of Henry VIII., 149

Woodburn, Samuel, marks affixed by, to Lawrence drawings, 286

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INDEX OF ARTISTS AND WORKS OF ART

ALBARELLI, Italian, see Ceramics

Altarpiece, by A. Baldovinetti, painted for the Cappella
Maggiore, S. Trinità, now in the Florentine Academy,
Trinity, with Saints, 29
Aquatint, coloured, by Stadler, The Hôtel de Ville, Louvain,
after S. Prout; (V. and A. M.), 203
Armorial Bearings, (Shields), of the Doria family, (in text), 268

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BAGG, engraving by, after E. Isabey, Ship During Storm, illustration to Curmer's Paul et Virginie,' 307 (3) Baldovinetti, Alesso, painted glass window, designed by, in S. Croce, Florence, with figures of God the Father and St. Andrew, 25 paintings by, Altarpiece, Trinity, with Saints, formerly in S. Trinità, now in the Florentine Academy, 29; Patriarchs, Abraham, Noah, Moses and David on the Vault of the Cappella Maggiore of S. Trinità, Florence, 171 Barret, G., drawing by, for an illustration, Landscape, 301 (3) Bartolozzi, F., drawing by, for an illustration, Cupid with a Tragic Mask, 298 (3)

Bas-reliefs:

by Agostino di Duccio, Virgin and Child, with Saints and Cherubs, in the Louvre, 88

Greek, Burlington Fine Arts Exhibition, Fragment of the Frieze of the Parthenon, (T. D. Botterell), 236 School of Leonardo da Vinci, Bust and profile in helmet and armour, inscribed ' P. Scipioni,' in the Louvre, 88 Book-illustrations of the Later Nineteenth Century, five plates, 295, 298, 301, 304, 307

Bosboom, Jan, painting by, The Archives at Veere, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 179

Boule, André Charles, Furniture by, Marquetry Bureau, and Bookcase, 234

Bronzes:

Greek, Burlington Fine Arts Exhibition, Amphora Handle, (Wyndham Cook), Mask of Sea Deity, (Salting), Mirrorcover, Repoussé, (Taylor), 247, Plaque, (Wallis), 245 Statuettes, Aphrodite, Nude, (Loeser), Aphrodite with Torch, Seilenos Crouching, (Taylor), Sick Man, (Wyndham Cook), 245

Bruges Museum, painting by Gerard David in, The Judgement of Cambyses, 2

Brussels, Seals of the Gilds of Bakers, Barbers, and Butchers of, (in text), 191, 192

Burgundian Wooden Chest, xv. cent., richly carved, (Hospices civiles, Aalst), 361

Burlington Fine Arts Club, Exhibition held by, see Greek Art Busi, Giovanni, see Cariani

CARIANI, (Giovanni Busi), paintings by, Madonna and Child, (G. Salting), 79: The Sempstress Madonna, (Corsini Gallery, Rome), 81

Carpets, see Textiles
Ceramics (see Terra-cottas):-

Early Staffordshire Ware, (slip-ware, etc.), Dish, Tygs,
Cups, Cradle, Jug, Lantern, etc., illustrated in text,
xv. figs., 64-9

Greek, Burlington Fine Arts Exhibition, Krater, (Harrow
School), 253

Kylix signed Tleson, and Plate signed Epiktetos,
(Marquess of Northampton), 253
Lowestoft China, Teapot, (Harding), and Small Plate,
(Franks), 273

Teapot, hard porcelain, made and decorated in China, but marked Allen, Lowestoft '; (V. and A. M.), 276 Three Italian Albarelli, xiv. cent., (Louvre), 339 Chalices:

Early Scandinavian, (xIII. cent.), Silver, from Iceland, with details of inscription and decoration, V. and A. Museum, 71

The Sorö, Silver, from Denmark, 356

Winchester College, 165

Chests:

Burgundian, xv. cent., richly carved, (Hospices civiles,
Aalst), 361

Polychrome Wooden Chest (The Ypres Chest), 361 Cimabue, School of, paintings by, artist unknown, Nativity, and Adoration, (Parry), 118

Cnoop, Cornelia, wife of Gerard David, painting by, Triptych, B. V. M. and Child, SS. Catherine and Barbara, (P. and D. Colnaghi), 37

Corsini Gallery, Rome, painting by Cariani, The Sempstress Madonna, in, 81

Courbould, drawing by, for an illustration, Duel Scene, 298 (4)

DADDI, Bernardo, painting by, Altarpiece in Five Parts, (Parry), 121 Dalziels, engraving by, after D. G. Rossetti, The Maids of Elfen Mere, illustration to Allingham's Music Master,' 304 (1) Daubigny, Charles-François, painting by, On the Seine, (Balli), 365

David, Gerard, (see Cnoop, Cornelia, his wife, and her painting), paintings by, B. V. M. and Child, with Angels, Virgin Saints, the painter and his wife, (Rouen Museum), 34; The Judgement of Cambyses, (Bruges Museum), 2 De Koninck, Philips, painting variously attributed to, and to Rembrandt, shown at Guildhall, 1903., Le Commencement d'Orage, (Lady Wantage), 61

Denmark, The Sorö Chalice from, 356

Doria family, armorial bearings of the, (in text), 268
Drawings:-

by artist unknown, for an illustration, River Scene, 301 (2)
by Barret, G., for an illustration, Landscape, 301 (3)
by Bartolozzi, G., for an illustration, Cupid with a Tragic
Mask, 298 (3)

by Corbould, for an illustration, Duel Scene, 298 (4)
by Dürer, A., Portrait of a Lady, (B. M.), 287; Portrait of a
Lady with a Lap-dog, (Heseltine), 291

by Gigoux, J., Man's Head, illustration to 'Gil Blas,' 295 (1)
by Harvey, Butterfly and Ant, illustration to Northcote's
Fables,' 298 (2)

by Isabey, E., Ship during Storm, illustration to Curmer's Paul et Virginie,' 307 (3)

by Meissonier, J. L. E., Shoeing a Horse, illustration to 'Les Contes Rémois,' 307 (1)

by Menzel, A., The Round Table, illustration to 'Geschichte
Friedrichs des Grossen,' 295 (2)

by Palmer, S., illustration to 'Sacred Allegories,' 304 (2)
by Rossetti, D. G., for an illustration to Allingham's
Music Master,' The Maids of Elfen Mere, 304 (1)

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by Stothard, T., for an illustration, Cupid's Shootinglesson, 301 (1)

by Westall, W., for an illustration, Barefooted Woman under Tree, Man and Dog to left, 298 (1)

Duccio, Agostino di, Bas-relief by, Virgin and Child with Saints and Cherubs, (Louvre), 38

Dürer, Albrecht, drawings by, Portrait of a Lady, (B. M.), 287 ;
Portrait of a Lady with a Lap-dog, (Heseltine), 291
Dutch Exhibition at the Guildhall, 1903., Painters whose work
was shown at, see Bosboom, De Koninck, Israels,
Maris, J., and M., Mauve, Molenaer, Rembrandt,
Steen, Van de Capelle, Vermeer, Verspronck

EARLY Painters of the Netherlands whose work was shown at Bruges, 1902., see Cnoop, David, Isenbrant, Memlinc, van Eecke

Engravings, see also Mezzotints:

artist unknown, after J. Gigoux, Man's Head, illustration to 'Gil Blas,' 295 (1)

by Bagg, after E. Isabey, Ship during Storm, illustration to Curmer's 'Paul et Virginie,' 307 (3)

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by Green, W. T., after S. Palmer, illustration to Sacred Allegories,' 304 (2)

by Jackson, after Harvey, Butterfly and Ant, illustration to Northcote's Fables,' 298 (2)

by Knutchmar, E., after A. Menzel, The Round Table, illustration to 'Geschichte Friedrichs des Grossen,' 295 (2)

by Lagornal, after Meissonier, Shoeing a Horse, illustration to Les Contes Rémois,' 307 (1)

by Williams, Mary Ann, Jacque, illustration to Curmer's 'Paul et Virginie,' 307 (2)

Line, British, Portrait of Queen Elizabeth, by W. Rogers, (H.M. the King), 195; Roman Edifice in Ruins, after Claude, by T. Hearne and W. Woollett, working proof, (V. and A. M.), 197

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with Saints, 29

School, paintings by artist unknown; Madonna and Child with Angels, (Parry), 129, Triptych by same hand, (Uffizi), ib.

France, Art and Artists of:

Statue, Marble, by G. Pilon, xvi. cent., La Charité, (E. Lowengard), (two aspects of), 94

French painters illustrated, see Daubigny, Isabey, Lhermitte, Meissonier, Tocqué

paintings, (probable), artists unknown, xiv. cent., Adoration of the Magi, and Dormition of the B. V. M., (Messrs. Dowdeswell), 91

French Book-illustrations of the Later Nineteenth Century, 295 (1), 306 (1 and 3)

Furniture, Marquetry Bureau, and Bookcase by A. C.
Boule, 234

Tapestry, Gobelin, Psyche's Bath, and section of border of
the same, (Louvre), 231

High Warp, Louis XIV. visiting the Gobelins, after C. Le Brun, 228 Furniture, French, by A. C. Boule, Marquetry Bureau, and Bookcase, 234

GADDI, Agnolo, painting by, Coronation of Our Lady, (Parry), 123 Taddeo, painting by, Part of an Altarpiece in S. Croce, Florence, 123

'Gaston Phoebus' MS., Facsimiles from, 9, 13, 17, 19 Gigoux, J., drawing by, Man's Head, illustration to 'Gil Blas,' 295(1) Gilds in Brussels, Seals of those of the Bakers, Barbers, and

Butchers, 191, 192

Glass, see Painted Glass

Greek Art, see under Bas-reliefs, Bronzes, Ceramics, Metal Work, Sculpture, Terra-cottas

Green, W. T., engraving by, after S. Palmer, illustration to 'Sacred Allegories,' 304 (2)

HARVEY, drawing by, Butterfly and Ant, illustration to Northcote's Fables,' 298 (2)

Hearne, T., and W. Woollett, line engraving by, Roman Edifice in Ruins, working proof, (V. and A. M.), 197

ICELAND, Scandinavian Silver Chalice, early XIII. cent., from, with
details of inscription and decoration (V. and A. M), 71
Illuminated MS., Gaston Phoebus,' Facsimiles from, 9, 13, 17, 19
Illustrations (see also Book-illustrations) in the Text:-

Early Staffordshire Pottery-ware, (slipware, etc.), Dish,
Tygs, Cups, Cradle, Jug, Lantern, etc., xv. figs., 64-9
Heraldic Shields of the Doria Family, 268
Lotus flower, natural forms of, 349, 350, 353

Seals of the Gild of Bakers, Barbers, and Butchers,
Brussels, 191, 192

Svastika, various forms of, 43, 44, 47, 48

Isabey, E., drawing by, Ship during storm, illustration to Curmer's • Paul et Virginie,' 307 (3) Isenbrant, Adrian, paintings by, shown at Bruges, 1902., St. Luke, (Colnaghi), 327, Virgin and Child, with two Angels, (Lotman), ib., Vision of St. Ildephonsus, (Northbrook), 330 Israels, Josef, paintings by, A Jewish Wedding, (J. C. F. Drucker), 179, The New Flower, (J. S. Forbes), Dutch Exhibition, Guildhall, 1903., 181

Italian Painters, see Baldovinetti, Cariani, Florentine School, Leonardo da Vinci, Titian, Vanni, Venetian School, etc. Italy, Maiolica of, Three Albarelli, xiv. cent. (Louvre), 339 JACKSON, engraving by, after Harvey, Butterfly and Ant, illustration to Northcote's Fables,' 298 (2)

KNUTCHMAR, E., engraving by, after A. Menzel, The Round Table, illustration to 'Geschichte Friedrichs des Grossen,' 295, (2)

Koursi, Arabic, Lid of, xiv. cent., copper encrusted with gold
and silver (Louvre), 347
LACE, Brussels, Honiton, Rose-point, Drawn-thread-work,

Venetian, Irish crochet, Imitation Alençon, 99, Russian,
Venetian, Alençon, Modern Irish Needle-point, 97.
Turkish Drawn-thread-work, Reticella, Venetian-made
Alençon, Alençon bordering, (Mrs. Alfred Morrison), 101

Lagornal, engraving by, after Meissonier, Shoeing a Horse, illustration to Les Contes Rémois,' 307 (1)

Le Brun, C., Tapestry after, (High Warp), Louis XIV. visiting the Gobelins, 228

Lhermitte, Leon, painting by, Le Pêcheur, (Balli), 365
Leonardo da Vinci, school of, Bas-relief, by artist unknown,
Bust and profile in helmet and armour, inscribed P. Scipioni'
(Louvre), 88
Leuchtenberg Collection, St. Petersburg, painting of the Venetian
School from, Adoration of the Shepherds, artist unknown,85
Lotus plant, the, natural forms of, in text, 349, 350, 353
Louvre, The, Bas-reliefs in, by Agostino di Duccio, Virgin and
Child with Saint and Cherubs, 88; by unknown artist,
school of Leonardo da Vinci, Bust and profile in helmet
and armour, inscribed 'P. Scipioni,' 88
Lowestoft China, see Ceramics

MAIOLICA, see Albarelli under Ceramics
Manuscripts, see Illuminated MS.
Maris, Jacob, paintings by, The Canal Bridge, (Agnew), 183,
A Windmill, Moonlight, (J. C. J. Drucker), Dutch Ex
hibition, Guildhall, 185

Maris, Matthew, paintings by, The Butterflies, (W. Burrell), 187, A Fantasy, (Mme. E. J. van Wisselingh), Dutch Exhibition, Guildhall, 181

Martini, Simone, paintings by, Annunciation, (Uffizi), 323
Mauve, Anton, painting by, Watering Horses, (J. C. J. Drucker),
Dutch Exhibition, Guildhall, 183

Meissonier, drawing by, Shoeing a Horse, illustration to 'Les
Contes Rémois,' 307 (1)

Memlinc, Hans, paintings attributed to, Portraits of Thomas Portunari and his Wife, (probably by Van der Goes), (L. Goldschmidt), 41

Menzel, A., drawing by, for illustration to 'Geschichte Friedrichs des Grossen,' The Round Table, 295 (2)

Metal Work, see Copper and Silver :

Arabic, Lid of a Koursi, copper encrusted with gold and
silver, XIV. cent., (Louvre), 347

Greek, Burlington Fine Arts Exhibition, Mirror-cover,
Repoussé (J. E. Taylor), 247

Mezzotints, by Prince Rupert, after Spagnoletto, The Great
Executioner, (H.M. King Edward), 270; by C. Turner,
The Water Mill, after Sir A. W. Callcott, (V. and A. M.),

201

Miniatures:

from the Arab MS., Makamat of Hariri; (C. Schefer), 133 from MS. of the Astronomical Treatise of Abd-er-Rahman El-Sufi, (Nat. Lib. of France), 133

from a Persian MS., of 1527., Hunting Scene, (Nat. Lib. of France), 145

(two) from a Persian MS., of 1566., 'The Book of Kings,' (Baron E. de Rothschild), 137, 141.

Molenaer, Jan Miense, painting by, A Group of Three, (E. Speyer), Dutch Exhibition, Guildhall, 176

Monaco, Lorenzo, paintings by, Adoration of the Magi, 127; The
Visitation, (Parry), ib.

Museums and Galleries, see Bruges Museum, Corsini Gallery,
Rome, Florentine Academy, Leuchtenberg Collection
National Gallery, Nat. Lib. of France, Rouen Museum,
V. and A. Museum, etc.
Mussulman Miniatures, Arabic and Persian (various owners),
133, 137, 141, 145

NATIONAL Gallery, painting, Venetian School, artist unknown, in,
Adoration of the Shepherds, 85

New College, Oxford, paintings by Sir J. Reynolds as designs
for the Window at, Cardinal Virtues, Temperance and
Prudence, 213, Fortitude and Justice, 216, Theological
Virtues, Faith, Hope, and Charity, 210
Normanton Collection, paintings by Sir J. Reynolds in, The Cardinal
Virtues, Temperance and Prudence, 213; Fortitude and
Justice, all designs for the window at New College,
Oxford, 216; The Three Theological Virtues for the same,
210; The Little Gardener, 219; Portraits: George, third
Duke of Marlborough, 222; Lady Betty Hamilton, 116;
Miss Murray of Kirkcudbright, 207; The Misses Horneck,
225; Study of a Little Girl, ib.

OXFORD, see New College

PAINTED Glass Window, with figures of God the Father and St. Andrew, from cartoons of A. Baldovinetti, S. Croce, Florence, 25

Paintings:

attributed to Memlinc, Hans, Portraits of Thomas Portunari and his Wife, (probably by Van der Goes), (Goldschmidt), 41 attributed to Rembrandt and to De Koninck, Le Commencement d'Orage, (Lady Wantage), shown at Guildhall, 1903., 61 by Baldovinetti, A., Altarpiece, Trinity, formerly in S. Trinità, now in the Florentine Academy, 29; on the Vault of the Cappella Maggiore of S. Trinità, Florence, Abraham, Noah, Moses, and David, 171

by Bosboom, Jan, The Archives at Veere, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 179

by Cariani (Giovanni Busi), Madonna and Child, (Salting), 79 ; The Sempstress Madonna, (Corsini Gallery, Rome), 81 by Cnoop, Cornelia, wife of Gerard David, Triptych, B.V. M and Child, SS. Catherine and Barbara, (Colnaghi), 37 by Daddi, Bernardo, Altarpiece in Five Parts, (Parry), 121 by Daubigny, C.-F., On the Seine, (Balli), 365

by David, Gerard, B. V. M. and Child, with Angels, Virgin Saints, the painter and his wife, (Rouen Museum), 34; The Judgement of Cambyses, (Bruges Museum), 2 Flemish school, artists unknown, Portrait of the Empress Isabella from which Titian painted the portrait now in the Prado Museum, Madrid, (in private collection, Florence), 283; shown at Bruges, 1902., Portrait of Roger de Jonghe, Austin Friar, (Sœurs Noires, Bruges), 333 Florentine School, artist unknown, Madonna and Child with

Angels, (Parry), 129, Triptych by the same artist (Uffizi), ib. probably French, xiv. cent., artists unknown, Adoration of the Magi, and Dormition of the B. V. M., (Dowdeswell), 91 by Gaddi, Agnolo, Coronation of Our Lady, (Parry), 123 by Gaddi, Taddeo, Part of an Altarpiece in S. Croce, Florence, 123

by Isenbrant, Adrian, shown at Bruges, 1902., St. Luke, (Colnaghi), 327; Virgin and Child with two Angels, (Lotman), ib.; Vision of St. Ildephonsus, (Northbrook), 330 by Israels, Josef, shown at the Dutch Exhibition, Guildhall, A Jewish Wedding, (J. C. J. Drucker) 179, The New Flower, (J. S. Forbes), 181

by Lhermitte, Leon, Le Pêcheur, (Balli), 365

by Maris, Jacob, shown at Dutch Exhibition, Guildhall, The Canal Bridge, (Agnew), 183; A Windmill, Moonlight, (Drucker), 185

by Maris, Matthew, shown at Dutch Exhibition, Guildhall, The Butterflies, (W. Burrell), 187; A Fantasv, (Mme. E. J. van Wisselingh), 181

by Martini, Simone, Annunciation, (Uffizi), 323

by Mauve, Anton, Watering Horses, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 183

by Molenaer, Jan Miense, A Group of Three, (E. Speyer), Dutch Exhibition, Guildhall, 176

by Monaco, Lorenzo, Adoration of the Magi, 127, The Visitation (Parry), 127

by Rembrandt, Portrait of a Lady, (Hage), 363

School of Cimabue, artist unknown, Nativity and Adoration, (Parry), 118

by Reynolds, Sir Joshua, (Normanton), The Cardinal Virtues, Temperance and Prudence, Fortitude and Justice, The Three Theological Virtues, Faith, Hope, and Charity, all for the Window at New College, Oxford, 210, 213, 216; The Little Gardener, 219; Portraits: George, third Duke of Marlborough, 222; Lady Betty Hamilton, 216; Miss Murray of Kirkcudbright, 207; The Misses Horneck, 225; Study of a Little Girl, ib.

by Ruysdael, Solomon, Landscapes, (2), (Louvre), 342 by Steen, Jan, Portrait of Himself, (Northbrook), shown at Guildhall, 1903., 53

by Titian, (Tiziano Vecellio), Portrait of the Empress Isabella, (Prado Museum, Madrid), 280

by Tocqué, Louis, Portrait of Dame Danger, (Louvre), 345 by Van de Capelle, J., Off Scheveningen, (Crews), shown at Guildhall, 1903., 57

by Van Eecke, John, shown at Bruges, 1902., Episodes in the Life of St. Bernard, (Tournai Museum), 333 by Vanni, Andrea, Altarpiece, Polyptych, Madonna and Saints, S. Stefano, Siena, 311; Annunciation, (Chigi collection, Siena), 323; Annunciation, in S. Pietro Ovile, Siena, 314, details of the foregoing, 320; Madonna and Child, (Berenson), 317; Virgin and Child, from the Altarpiece in S. Francesco, Siena, 314

Venetian School, artists unknown, Adoration of the Shepherds, one in the National Gallery, one from the Leuchtenberg collection, 85

Paintings-cont.

Index of Artists and by Verspronck, Jan, Portrait of the Wife of Thomas Wijck, Works of Art (Mrs. Stephenson Clarke), shown at Guildhall, 1903., 53 Palmer, Samuel, drawing by, illustration to 'Sacred Allegories,' Volume II 304 (2)

by Vermeer, Jan, of Delft, The Cook Asleep, (Kann), shown at Guildhall, 1903., 50

Parry Collection, paintings in, by Bernardo Daddi, Altarpiece in
Five Parts, 121; Florentine School, artist unknown,
Madonna and Child with Angels, 129, Triptych by the same
artist (Uffizi), ib; by Agnolo Gaddi, Coronation of Our
Lady, 123; by Lorenzo Monaco, Adoration of the Magi,
127; The Visitation, 127: School of Cimabue, artist un-
known, Nativity and Adoration, 118

Pilon, Germain, French Sculptor, (xvi. cent.), Marble Statue by
La Charité, (Löwengard), (two aspects of), 94

Plate belonging to Winchester College:—

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Rembrandt, (Van Rijn), painting by, Portrait of a Lady, (Hage), 363; variously ascribed to, and to De Koninck, shown at Guildhall, 1903., Le Commencement d'Orage, (Lady Wantage), 61 Reynolds, Sir J., paintings by, Normanton collection: The Cardinal Virtues, Temperance and Prudence, 213, Fortitude and Justice, all designs for the Window at New College, Oxford, 216, The Three Theological Virtues, Faith, Hope, and Charity, for the same, 210; The Little Gardener, 219; Portraits: George, third Duke of Marlborough, 222; Lady Betty Hamilton, 216; Miss Murray of Kirkcudbright, 207; The Misses Horneck, 225; Study of a Little Girl, ib. Rogers, W., engraver, line engraving by, Portrait of Queen Elizabeth, (H.M. the King), V. and A. Museum Exhibition, 195 Rose-water Dish and Ewer, Parcel Gilt, with top of cover of Ewer, (Winchester College), 151

and Small Gilt Standing Cup and Cover, (Winchester College), 187

Rossetti, D. G., drawing by, The Maids of Elfen Mere, to illustrate Allingham's Music Master,' 304 (1)

Rouen Museum, painting by Gerard David in, B.V.M. and Child, with Angels, Virgin Saints, the painter and his wife, 34 Rupert, Prince, Mezzotint by, The Great Executioner, after Spagnoletto, (H.M. King Edward), 270

Russia, see Russian Lace under Lace, and Leuchtenberg Collection

Ruysdael, Solomon, paintings by, Landscabes, (2), (Louvre), 342

SCANDINAVIA, Art of, see Denmark and Iceland Sculpture, see Bas-reliefs, Bronzes, Statues and Terra-cottas :— Greek, Burlington Fine Art Exhibition, Bust of Aphrodite, probably by Praxiteles, (Leconfield), 239; Head of a Mourning Woman, (Ponsonby), 241; Head of a Youth, (Vincent), 241

Seals of the Gilds of Bakers, Barbers and Butchers, Brussels, (in text), 191, 192

Silver and Silver Plate, see Plate

Chalices, Scandinavian, early XIII. cent., from Iceland, with details of inscription and decoration, (V. and A. M.), 71

The Sorö, from Denmark, 356

Sorö Chalice, The, from Denmark, 356 Stadler, J. C., Coloured Aquatint by, The Hôtel de Ville, Louvain, after Prout; V. and A. Museum Exhibition, 203

Standing Salt (Winchester College), 154, 160

Statue, Marble, by G. Pilon, xvi. cent., La Charité, (Lowengard), (two aspects), 94

Steen, Jan, painting by, Portrait of Himself, (Northbrook), shown at Guildhall, 1903., 53

Stothard, T., drawing by, for an illustration, Cupid's Shooting

Lesson, 301 (1)

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TANKARDS, silver, (Winchester College), 160
Tapestry:-

Gobelin, Psyche's Bath, and section of border of the same,
(Louvre), 231

High Warp, Louis XIV. visiting the Royal Furniture Manufactory at the Gobelins, after C. Le Brun, 228 Terra-cottas, Greek, Burlington Fine Art Exhibition, Doll, (Mrs. Mitchell), 251; Female Caryatid Figure, Woman Leaning on Pedestal, The Young Dionysos, (Taylor), 251; Woman with Fan, (Knowles), 251

Textiles, (see Lace, and Tapestry), Carpets, Tabriz, centre medallion illustrating the Tree of Life and Lotus Flower, (Gillow), 350

Titian, (Tiziano Vecellio), painting by, Portrait of the Empress Isabella, (Prado Museum, Madrid), 280

Tocqué, Louis, painting by, Portrait of Dame Danger, (Louvre), 345 Turner, C., Mezzotint by, after Calcott, The Water Mill, (V. and A. M.), 207

Type, Mr. Robert Proctor's new Greek Otter' type, facsimile, 359

VAN DE CAPELLE, Jan, painting by, Off Scheveningen, (Crews), shown at Guildhall, 1903., 57

Van Eecke, John, painting by, shewn at Bruges, 1902., Episodes in the Life of St. Bernard, (Tournai Museum), 333 Vanni, Andrea, paintings by, Altarpiece, Polyptych, Madonna and Saints, S. Stefano, Siena, 311; Annunciation, (Chigi collection, Siena), 323; Annunciation, in S. Pietro

Vanni, Andrea-cont.
Ovile, Siena), 314, details of the foregoing, 320;
Madonna and Child, (Berenson), 317; Virgin and Child,
from the Altarpiece in S. Francesco, Siena, 314
Venetian School, paintings of, artists unknown, Adoration of the
Shepherds, one in the National Gallery, one from the
Leuchtenberg collection, 85

Vermeer, Jan, of Delft, painting by, The Cook Asleep, (Kann), shown at Guildhall, 1903., 50

Verspronck, Jan, painting by, Portrait of the Wife of Thomas Wijck, (Mrs. Stephenson Clarke), shown at Guildhall,

1903., 53

Victoria and Albert Museum:

Exhibition of British Engraving at:

coloured Aquatint in, by Stadler, after Prout, The Hôtel
de Ville, Louvain, 203

engravings (line) in, by T. Hearne and W. Woollett,
Roman Edifice in Ruins, working proof, 197, by
W. Rogers, Portrait of Queen Elizabeth, (H. M. the
King), 195

mezzotint in, by C. Turner after Callcott, The Water
Mill, 201

Scandinavian Silver Chalice, early xIII. cent., from Iceland, in, (with details of inscription and decoration), 71

WESTALL, W., drawing by, for an illustration, Barefooted Woman under Tree, Man and Dog to left, 298 (1)

Williams, Mary Ann, engraving by, Jacque, illustration to Curmer's Paul et Virginie,' 307 (2)

Winchester College, Plate of, 148, 151, 154, 157, 160, 163, 165
Wood-carvings:-

Burgundian Chest, xv. cent. (Hospices civiles, Aalst), 361
Polychrome Chest, (The Ypres Chest), 361

Woollett, W., engraver, see Hearne, T.

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