you would prove, my friends told me as much, and I thought no lefs; that flattering tongue of yours won me; 'tis but one caft away, and fo come death: two o'th' clock hour? is your Orla, Ay, fweet Rofalind. Rof. By my troth, and in good earneft, and fo God mend me, and by all pretty oaths that are not dangerous, if you break one jot of your promise, or come one minute behind your hour, I will think you the moft pathetical break-promife, and the most hollow lover, and the most unworthy of her you call Rofalind, that may be chofen out of the grofs band of the unfaithful; therefore beware my cenfure, and keep your promise. Orla. With no less religion than if thou wert indeed my Rofalind; fo adieu. Rof. Well, time is the old juftice that examines all fuch offenders, and let time try. Adieu. SCENE III. [Exit Orla. Cel. You have fimply mifus'd our fex in your love-prate: we must have your doublet and hofe pluck'd over your head, and fhew the world what the bird hath done to her qwn neft. : Rof. O coz, caz, coz, my pretty little coz, that thou didft know how many fathom deep I am in love; but it cannot be founded: my affection hath an unknown bottom, like the bay of Portugal. Cel. Or rather bottomlefs, that as faft as you pour affection in, it runs out. Rof. No, that fame wicked baftard of Venus, that was begot of thought, conceiv'd of spleen, and born of madness, that blind rafcally boy, that abufes every one's eyes, because his own are out, let him be judge how deep I am in love; I'll tell thee, Aliena, I cannot be out of the fight of Orlando: I'll go find a fhadow, and figh 'till he come. [Exeunt. SCENE IV. Enter Jaques, Lords, and Forefters. Jaq. Which is he that kill'd the deer ? Cel. And I'll fleep. Lord. Sir, it was I. Jag. Let's prefent him to the Duke like a Roman con queror, queror, and it would do well to fet the deer's horns upon his head for a branch of victory; have you no song, forefter, for this purpose ? For. Yes, Sir. Jaq. Sing it: 'tis no matter how it be in tune, so it make noife enough. Mufick, Song. What fhall be bave that kill'd the deer? [The reft fhall bear this burthen. To wear the born, the born, the born: It was a creft ere thou waft born. Thy father's father wore it, And thy own father bore it, The born, the born, the lufty born, Is not a thing to laugh to fcorn. [Exeunt SCENE V. Enter Rofalind and Celia. Rof. How fay you now, is it not paft two o'clock ? I wonder much Orlando is not here. Cel. I warrant you, with pure love and troubled brain he hath ta'en his bow and arrows, and is gone forth to fleep look who comes here. Enter Sylvius. Syl. My errand is to you, fair youth, I am but as a guiltless meffenger. Rof. Patience her felf would ftartle at this letter, [After reading the letter. And play the fwaggerer; bear this, bear all. She fays I am not fair, that I lack manners, She calls me proud, and that fhe could not love me Were man as rare as phænix: odd's my will! Her love is not the hare that I do hunt. Why writes fhe fo to me? well, fhepherd, well, This is a letter of your own device. Syl. Syl. No, I proteft I know not the contents, Phebe did write it. Rof. Come, come, you're a fool, And turn'd into th' extremity of love. A free-ftone-coloured hand; I verily did think This is a man's invention, and his hand, Rof. Why, 'tis a boifterous and a cruel ftile, Than in their countenance; will you hear the letter? Yet heard too much of Phebe's cruelty. Rof. She Phebe's me; mark how the tyrant writes. [Reads.] Art thou God to fhepherd turn'd, That a maiden's heart bath burn'd? Can a woman rail thus ? Syl. Call you this railing? Rof. [Reads.] Why, thy godbead laid apart, Did you ever hear such railing? Whiles the eye of man did woo me, Meaning me a beaft. If the fcorn of your bright eyne Will Will the faithful offer take Syl. Call Čel. Alas, poor fhepherd! Rof. Do you pity him? no, he deferves no pity: wilt thou love fuch a woman? what, to make thee an inftrument, and play falfe ftrains upon thee? not to be endured! well, go your way to her, for I fee love hath made thee a tame fnake, and say this to her, that if the love me, I charge her to love thee: if the will not, I will never have her, unless thou entreat for her. If you be a true lover, hence, and not a word; for here comes more company. [Exit Syl. SCENE VI. Enter Oliver. Oli. Good morrow, fair ones: pray you, if you know, Where in the purlews of this foreft ftands A fheep-cote fenc'd about with olive-trees? Cel. Weft of this place down in the neighbour bottom, The rank of ofiers, by the murmuring stream Left on your right-hand, brings you to the place; Oli. If that an eye may profit by a tongue, Rof. I am; what muft we understand by this? Gel. I pray you, tell it. Oli. When laft the young Orlando parted from you, Within two hours; and pacing through the foreft, A wretched ragged man, o'er-grown with hair, A green and gilded snake had wreath'd it self, To prey on nothing that doth feem as dead: This feen, Orlando did approach the man, And found it was his brother, his elder brother. Cel. O, I have heard him fpeak of that fame brother, And he did render him the most unnatural That liv'd 'mongst men. Oli. And well he might fo do; For well I know he was unnatural. Rof. But to Orlando; did he leave him there Food to the fuck'd and hungry lionefs? Oli. Twice did he turn his back, and purpos'd so: But kindness nobler ever than revenge, And nature ftronger than his juft occafion, Made him give battel to the lioness: Who quickly fell before him, in which hurtling From miferable flumber I awak'd. Cel, Are you his brother? Ref. Was't you he refcu'd? Cel. Was't you that did fo oft contrive to kill him? VOL. III, F Oli. |