English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1940 - 460 pàgines |
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Resultats 1 - 3 de 51.
Pàgina 196
... sometimes there may be a greatness in placing the words other- wise ; and sometimes they may sound better ; sometimes also the variety itself is excuse enough . But if , for the most part , the words be placed as they are in the ...
... sometimes there may be a greatness in placing the words other- wise ; and sometimes they may sound better ; sometimes also the variety itself is excuse enough . But if , for the most part , the words be placed as they are in the ...
Pàgina 384
... sometimes interested , sometimes negligent , and sometimes capricious . It is not without reason that Trapp , speaking of the praises which he bestows on Palamon and Arcite , says , ' Novimus iudicium Drydeni de poemate quodam Chauceri ...
... sometimes interested , sometimes negligent , and sometimes capricious . It is not without reason that Trapp , speaking of the praises which he bestows on Palamon and Arcite , says , ' Novimus iudicium Drydeni de poemate quodam Chauceri ...
Pàgina 434
... sometimes grateful to the reader , and sometimes convenient to the poet . Fenton was of opinion that Dryden was too liberal and Pope too sparing in their use . The rhymes of Dryden are commonly just , and he valued himself for his ...
... sometimes grateful to the reader , and sometimes convenient to the poet . Fenton was of opinion that Dryden was too liberal and Pope too sparing in their use . The rhymes of Dryden are commonly just , and he valued himself for his ...
Continguts
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 65 |
SAMUEL DANIEL 15621619 | 72 |
No s’hi han mostrat 11 seccions
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written