Literature and the Touch of the RealUniversity of Delaware Press, 2004 - 262 pàgines Literature and the Touch of the Real offers a critique of neo-Saussurean theories of the constitution of the world through language or the essential divorce of language from the real. It does this by, first, offering a critical account of the contradictions and omissions of Saussure's Course in General Linguistics. Secondly, in a revisionist reading of Jacques Derrida, it argues that far from reducing reality to language, Derrida's concept of the text in fact argues that the world cannot be eradicated from the linguistic. Thirdly, it offers an account of Ludwig Wittgenstein's concepts of grammar, criteria, aspect perception, and language-games that reintegrates language and the world while avoiding the instrumentalist pitfalls of realism and empiricism. |
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Pàgina 172
... authority of representation " and the " representation of authority , " to the vexed problem of the ideological status of early modern drama . He suggests that the social gap between the authority that is represented on the Elizabethan ...
... authority of representation " and the " representation of authority , " to the vexed problem of the ideological status of early modern drama . He suggests that the social gap between the authority that is represented on the Elizabethan ...
Pàgina 235
... Authority ' and ' Representation , " New Literary History 20 ( Autumn 1988 ) : 64 . 3. See Robert Weimann , “ Representation and Performance : The Uses of Authority in Shakespeare's Theater , " PMLA 107 ( May 1992 ) : 499 and 505 ...
... Authority ' and ' Representation , " New Literary History 20 ( Autumn 1988 ) : 64 . 3. See Robert Weimann , “ Representation and Performance : The Uses of Authority in Shakespeare's Theater , " PMLA 107 ( May 1992 ) : 499 and 505 ...
Pàgina 249
... Authority ' and ' Representa- tion . " " New Literary History 20 ( Autumn 1988 ) : 65–81 . " Representation and Performance : The Uses of Authority in Shakespeare's The- atre . " PMLA 107 ( May 1992 ) : 497–510 . . Author's Pen and ...
... Authority ' and ' Representa- tion . " " New Literary History 20 ( Autumn 1988 ) : 65–81 . " Representation and Performance : The Uses of Authority in Shakespeare's The- atre . " PMLA 107 ( May 1992 ) : 497–510 . . Author's Pen and ...
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analysis apartheid arbitrariness argues argument aspect Austin Blackwell Cambridge causal chapter claim concept condition consciousness constituted context criteria criticism cultural deconstruction Derridean determined differential discourse distinction emphasis added essay essence exist expression fact fiction G. E. M. Anscombe G. H. von Wright Geertz grammar Grammatology guage Hamlet historical Historicism Husserl idea ideal Jacques Derrida kind language language-games langue linguistic literary theory literature logical London Ludwig Wittgenstein material meaning merely metaphysical mime mimesis nature neo-Saussurean notion object Oxford phenomenological Philosophical Investigations play players political possibility practice present problem proper name pure Purgatory question racism reality reduced reference relation relationship representation Romeo Routledge rule Saussure Saussure's Saussurean sense Shakespeare signifier and signified singular social speech acts Speech and Phenomena stage Stephen Greenblatt structure substitution theater Thibault things tion tradition trans University Press Weimann Winter's Tale Wittgensteinian word writing