Shakespearean CriticismMichelle Lee Cengage Gale, 2004 - 448 pàgines This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
Des de l'interior del llibre
Resultats 1 - 3 de 83.
Pàgina 153
... final darkening of the senses , Diana appears in a dream vision to direct him to Ephesus . This theophany epitomizes the para- doxes associated with vision throughout the play : the most exalted visions arise not just from darkness but ...
... final darkening of the senses , Diana appears in a dream vision to direct him to Ephesus . This theophany epitomizes the para- doxes associated with vision throughout the play : the most exalted visions arise not just from darkness but ...
Pàgina 154
... final scene suggests an image of pure radiance - a silver icon of the goddess surrounded by Thaisa , Marina , and a group of virgins , all in silver garb . If we imagine for a moment only the slightest alterations in this scenic emblem ...
... final scene suggests an image of pure radiance - a silver icon of the goddess surrounded by Thaisa , Marina , and a group of virgins , all in silver garb . If we imagine for a moment only the slightest alterations in this scenic emblem ...
Pàgina 203
... final attempt to persuade Elizabeth seems to reinforce his utter devastation dur- ing their debate . Paradoxically , if Elizabeth will not curse him , he curses himself , to Heaven and to fortune : if " with deere hearts love ...
... final attempt to persuade Elizabeth seems to reinforce his utter devastation dur- ing their debate . Paradoxically , if Elizabeth will not curse him , he curses himself , to Heaven and to fortune : if " with deere hearts love ...
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
Frases i termes més freqüents
Antonio Ariel associated audience become Belarius body politic Britain Caesar Caliban Cambridge characters Christ Christian Cloten conscience Coriolanus court critics Cymbeline Cymbeline's daughter death divine dramatic early modern edition Elizabeth Elizabethan emblem emblem books emblematic ence England English Erwin Panofsky essay father Ferdinand figure Guiderius Hamlet Henry Henry VI heroic human Iachimo icon iconography imagery Imogen Innogen island Jacobean James John King Lear language London Lord Lucrece Macbeth magic manacle marriage Mars masque means melancholy Miranda moral murder nature Ophelia Othello performance Pericles play play's Posthumus Posthumus's Prince Prospero Queen rape reference Renaissance rhetorical Richard Richard III Roman Rome royal Saturn scene sense sexual Shake Shakespeare soul speare speare's speech spirit stage Stephano suggests Sycorax symbolic Tempest theater thee thou throne tion Titus Andronicus tradition tragedy Univ University Press visual Wild Winter's Tale words wounds York