Shakespearean CriticismMichelle Lee Cengage Gale, 2004 - 448 pàgines This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
Des de l'interior del llibre
Resultats 1 - 3 de 90.
Pàgina 50
... effect . . [ are ] like a litle World within it selfe , being in- trenched and fortified round about with a naturall , and yet admirable strong pond or ditch.43 The complement in Cymbeline of James's speech is the Queen's jingoistic ...
... effect . . [ are ] like a litle World within it selfe , being in- trenched and fortified round about with a naturall , and yet admirable strong pond or ditch.43 The complement in Cymbeline of James's speech is the Queen's jingoistic ...
Pàgina 63
... effect in the theater . My own answer to this question is that , while those who would take Richard off the throne have been mistaken in their conclusions , their instincts are sound . For in their discomfort - in sensing that there is ...
... effect in the theater . My own answer to this question is that , while those who would take Richard off the throne have been mistaken in their conclusions , their instincts are sound . For in their discomfort - in sensing that there is ...
Pàgina 319
... effect restorative transformations . To summarize the contrast between magia and goetia in The Tempest , one should say that benevolent magic fulfills and perfects natural processes , whereas evil magic endeavors to destroy or pervert ...
... effect restorative transformations . To summarize the contrast between magia and goetia in The Tempest , one should say that benevolent magic fulfills and perfects natural processes , whereas evil magic endeavors to destroy or pervert ...
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
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Antonio Ariel associated audience become Belarius body politic Britain Caesar Caliban Cambridge characters Christ Christian Cloten conscience Coriolanus court critics Cymbeline Cymbeline's daughter death divine dramatic early modern edition Elizabeth Elizabethan emblem emblem books emblematic ence England English Erwin Panofsky essay father Ferdinand figure Guiderius Hamlet Henry Henry VI heroic human Iachimo icon iconography imagery Imogen Innogen island Jacobean James John King Lear language London Lord Lucrece Macbeth magic manacle marriage Mars masque means melancholy Miranda moral murder nature Ophelia Othello performance Pericles play play's Posthumus Posthumus's Prince Prospero Queen rape reference Renaissance rhetorical Richard Richard III Roman Rome royal Saturn scene sense sexual Shake Shakespeare soul speare speare's speech spirit stage Stephano suggests Sycorax symbolic Tempest theater thee thou throne tion Titus Andronicus tradition tragedy Univ University Press visual Wild Winter's Tale words wounds York