Shakespearean CriticismMichelle Lee Cengage Gale, 2004 - 448 pàgines This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
Des de l'interior del llibre
Resultats 1 - 3 de 67.
Pàgina 292
... Miranda as “ admir'd , perfect and so peerless " and his request for her name " chiefly that I might set it in my prayers " ( 3.1.38 , 47 , 35 ) provide more associations with Mary . Medieval Christians and recusants prayed to the ...
... Miranda as “ admir'd , perfect and so peerless " and his request for her name " chiefly that I might set it in my prayers " ( 3.1.38 , 47 , 35 ) provide more associations with Mary . Medieval Christians and recusants prayed to the ...
Pàgina 341
... Miranda ; Caliban ignores her . Even their offspring would be simple reproductions of him , and him alone . Miranda's own version is cryptic and general : But thy vile race— Though thou didst learn - had that in't which good natures ...
... Miranda ; Caliban ignores her . Even their offspring would be simple reproductions of him , and him alone . Miranda's own version is cryptic and general : But thy vile race— Though thou didst learn - had that in't which good natures ...
Pàgina 353
... Miranda herself is significantly altered at the end of the play , having effectively lost her symbolic insularity— her distinction from the Italian metropole . In the final act , Prospero can " discover " Miranda and Ferdinand in masque ...
... Miranda herself is significantly altered at the end of the play , having effectively lost her symbolic insularity— her distinction from the Italian metropole . In the final act , Prospero can " discover " Miranda and Ferdinand in masque ...
Altres edicions - Mostra-ho tot
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volum 28 Visualització de fragments - 1984 |
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