Outlines of the Art of ElocutionLondon, 1883 - 142 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 21.
Pàgina 9
... tones are made into words . They are like the stops and keys of an organ , which distribute the elementary tones and give variety , character , recognizability to them . The success of speaking does not depend upon . the mere force of ...
... tones are made into words . They are like the stops and keys of an organ , which distribute the elementary tones and give variety , character , recognizability to them . The success of speaking does not depend upon . the mere force of ...
Pàgina 23
... tone in which he naturally , or at least generally , speaks . He must then see how much lower he can go , and how much higher . He must not confound , as is commonly done , a mere increase of loudness with a higher level or tone . A ...
... tone in which he naturally , or at least generally , speaks . He must then see how much lower he can go , and how much higher . He must not confound , as is commonly done , a mere increase of loudness with a higher level or tone . A ...
Pàgina 24
... tone is not necessarily a loud one . Level speaking , in the sense of being sustained , deliberate , properly ... tone , or otherwise , and regulate its movement - slower or faster , or fast to slower , as the case may be . The tones and ...
... tone is not necessarily a loud one . Level speaking , in the sense of being sustained , deliberate , properly ... tone , or otherwise , and regulate its movement - slower or faster , or fast to slower , as the case may be . The tones and ...
Pàgina 25
... tone , or , in other words , the distance between No. I and No. 6 , will represent the capacity of voice for expressive speaking . The following are exercises not only in variety of tone , but also in movement , some lines being fuller ...
... tone , or , in other words , the distance between No. I and No. 6 , will represent the capacity of voice for expressive speaking . The following are exercises not only in variety of tone , but also in movement , some lines being fuller ...
Pàgina 27
... tone or pitch , in intensity or loudness , in duration or volume , and in pace or rate of movement . The words are ... tones of voice will be required for its appropriate expression , and regulate their production accordingly . " True ...
... tone or pitch , in intensity or loudness , in duration or volume , and in pace or rate of movement . The words are ... tones of voice will be required for its appropriate expression , and regulate their production accordingly . " True ...
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Frases i termes més freqüents
accented syllable adjectives Alliteration ambitious Amphibrach anapæstic argument arms Arsis and thesis audience beautiful blank verse breath Brutus Cæsar cæsura character circumflex inflection clauses climax consonants dactylic death declamation delight doth downward Dryden earth effect Elocution emphatic English Erin go bragh expression eyes fall feet following lines foot force friends gesture give glory grief hand hath heard heart heaven Henry of Navarre honourable hurrah iambic implied meanings important king kingly light Lord marked meads of asphodel modulation movement nature Nelly Gray never night o'er open vowel oratory passion pause pharynx phatic pronunciation reading poetry rendered rhyme rhythm rise rule sense Shakespeare singing SOLILOQUY soul speaker speaking specimens speech spirit spoken stars stress sweet thee things thou thought three syllables thunder tone trochaic Trochee unaccented syllables upward inflection verse vocal voice vowel sounds wild words
Passatges populars
Pàgina 63 - Ring out the grief that saps the mind, For those that here we see no more : Ring out the feud of rich and poor, Ring in redress to all mankind. Ring out a slowly dying cause, And ancient forms of party strife: Ring in the nobler modes of life, With sweeter manners, purer laws.
Pàgina 52 - Besides, sir, we have no election. If we were base enough to desire it, it is now too late to retire from the contest. There is no retreat but in submission and slavery ! Our chains are forged. Their clanking may be heard on the plains of Boston ! The war is inevitable ; and let it come ! I repeat it, sir, let it come ! It is in vain, sir, to extenuate the matter. Gentlemen may cry, peace, peace ! — but there is no peace.
Pàgina 42 - Keen as are the arrows Of that silver sphere, Whose intense lamp narrows In the white dawn clear Until we hardly see, we feel that it is there.
Pàgina 69 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Pàgina 25 - Now strike the golden lyre again : A louder yet, and yet a louder strain ! Break his bands of sleep asunder And rouse him like a rattling peal of thunder. Hark, hark ! the horrid sound Has raised up his head : As awaked from the dead And amazed he stares around. Revenge, revenge...
Pàgina 71 - But, as you know me all, a plain blunt man, That love my friend ; and that they know full well That gave me public leave to speak of him : For I have neither wit,* nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men's blood : I only speak right on...
Pàgina 70 - If you have tears, prepare to shed them now. You all do know this mantle. I remember The first time ever Caesar put it on ; 'Twas on a summer's evening, in his tent ; That day he overcame the Nervii. — Look ! in this place, ran Cassius...
Pàgina 61 - Here lies our good Edmund, whose genius was such, We scarcely can praise it, or blame it too much ; Who, born for the Universe, narrow'd his mind, And to party gave up what was meant for mankind.
Pàgina 27 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labors, and the words move slow: Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Pàgina 76 - Thou too, hoar Mount! with thy sky-pointing peaks, Oft from whose feet the avalanche, unheard, Shoots downward, glittering through the pure serene Into the depth of clouds, that veil thy breast— Thou too again, stupendous Mountain! thou That as I raise my head, awhile bowed low In adoration, upward from thy base Slow travelling with dim eyes suffused with tears...