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Des de l'interior del llibre
Resultats 1 - 5 de 52.
Pàgina xx
... moral. I don't say moralizing, never that. Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth suggests what this is when he resolves to keep his “bosom franchised.” Shakespeare's ...
... moral. I don't say moralizing, never that. Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth suggests what this is when he resolves to keep his “bosom franchised.” Shakespeare's ...
Pàgina xxi
... moral sense of him went with my youth and appealed to my students. They liked it that I put firm footing beneath them. The Psychomachia does that, and has the virtue of great clarity. Helena in All's Well, a player in this spirit war ...
... moral sense of him went with my youth and appealed to my students. They liked it that I put firm footing beneath them. The Psychomachia does that, and has the virtue of great clarity. Helena in All's Well, a player in this spirit war ...
Pàgina xxiii
... moral nullity but a survivor, seems to speak for Shakespeare. He thinks “There's place and means for every man alive” (4.3). Shakespeare's psychology meets St. Thomas's in one particular, that his characters, all of them, have “the ...
... moral nullity but a survivor, seems to speak for Shakespeare. He thinks “There's place and means for every man alive” (4.3). Shakespeare's psychology meets St. Thomas's in one particular, that his characters, all of them, have “the ...
Pàgina xxiv
... moral Shakespeare. Youth finds it sustaining to emphasize this side of him, anyway mine did. I liked to say, with one of his beleaguered characters, “I know not What counts harsh Fortune casts upon my face,/ But in my bosom shall she ...
... moral Shakespeare. Youth finds it sustaining to emphasize this side of him, anyway mine did. I liked to say, with one of his beleaguered characters, “I know not What counts harsh Fortune casts upon my face,/ But in my bosom shall she ...
Pàgina xxv
... moral, only physiological. Here is a statelier version, from the late play Henry VIII (3.2), and perhaps we might query its rhetorical, i.e. intentional eliding of human and natural detail, “tender leaves,” “his root.” This is the state ...
... moral, only physiological. Here is a statelier version, from the late play Henry VIII (3.2), and perhaps we might query its rhetorical, i.e. intentional eliding of human and natural detail, “tender leaves,” “his root.” This is the state ...
Continguts
1 | |
25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
actors bear beginning better blood called characters church comedy comes Court dark death died Earl early England English fall father fields followed gave gives Greene ground Hamlet hand head heart Henry hero hopeful isn't John Jonson King knew land later leaves less lived London looks Lord lost master means meant mind moral nature needed never Night once perhaps play playwright poem poet Queen readers reason remembered Richard says scene seems Shake Shakespeare shows side sometimes sonnets speare speare's stage stands story Stratford Street suggests tells theater things thinks Thomas thought took tragedy true truth turned wanted wrote young