Crises of Realism: Representing Experience in the British Novel, 1816-1910Bucknell University Press, 1997 - 237 pàgines Crises of Realism explores the vital "middle spaces" in novels of the Romantic and Victorian periods, when writers struggled to create realistic fictions at the intersections of experience and aesthetic organizing tropes. Drawing on the work of Michel de Certeau, Hayden White, and George Levine, Lloyd stresses the growing instability of literary representation and the accompanying tendency among novelists to find narrative escapes, however brief. The book's thesis is that novelistic realism is, in part, an endeavor to tame the instabilities unleashed by revolution and doubt; yet realism must display its unstable origins if it is to be valid. Therein lies the difficulty of creating middle spaces where instability is both tamed and revealed. |
Des de l'interior del llibre
Resultats 1 - 3 de 22.
Pàgina 99
... Esther has pro- fessed an indifference already undercut by her strange fascination with others ' reactions to that loss , especially Guppy's . Esther embodies the bi- furcation between lingual and visual assurances at the heart of ...
... Esther has pro- fessed an indifference already undercut by her strange fascination with others ' reactions to that loss , especially Guppy's . Esther embodies the bi- furcation between lingual and visual assurances at the heart of ...
Pàgina 101
... Esther Summerson , a child who lived a life apart , and on whose birthday there was no rejoicing — seemed to arise before my own eyes , evoked out of the past by some power in this fashionable lady . " ( BH , 305 ) Like Guppy when he ...
... Esther Summerson , a child who lived a life apart , and on whose birthday there was no rejoicing — seemed to arise before my own eyes , evoked out of the past by some power in this fashionable lady . " ( BH , 305 ) Like Guppy when he ...
Pàgina 103
... Esther loses the public confirmation that might reassure her . When she visits Jenny's cottage , Esther and Ada cover the dead infant with a handkerchief , the same one Lady Dedlock takes when she discovers Esther's illness . Like ...
... Esther loses the public confirmation that might reassure her . When she visits Jenny's cottage , Esther and Ada cover the dead infant with a handkerchief , the same one Lady Dedlock takes when she discovers Esther's illness . Like ...
Frases i termes més freqüents
abyss adumbrates aesthetic Angel Austen beauty becomes belief Bleak House Brontë Burke Burke's chapter Charlotte Brontë chthonic collapse Conrad contrast create decay Dedlock delimitations desire Dickens Dickens's discourse Dorian Dorothea E. M. Forster Edited Eliot Emma Emma's emplotment entails escape Esther experience feminine fiction fictive Forster Frankenstein gaze gender George George Eliot Hardy Hardy's Harmondsworth Harthouse Heart of Darkness horror Howards End ideal identity idyllic illusion Imagination insists interpretation ironic irony Jane Austen Jane Eyre Jane's Knightley Kurtz language limited Marlow Mary Shelley masculine meaning merely metaphorical middle space Middlemarch monster monstrosity moral mystery narrative narrator nature Nietzsche novel object Oliver Twist ornamentation parodies passion Poetry portrait providential Q. D. Leavis reading realism reality Revolution Romantic Schiller seeks seems Silas Marner social stability suggests symbol Tess Tess's things transfixed truth University Press univocal verbal verisimilar Victor vision visual woman words writes York
Referències a aquest llibre
George Eliot and Schiller: Intertextuality and Cross-cultural Discourse Deborah Guth Previsualització no disponible - 2003 |