The Free Fantasia and the Musical PicturesqueCambridge University Press, 4 de gen. 2001 - 256 pàgines Bach, Haydn, and Beethoven were both lauded and criticised in terms borrowed from the discourse of the picturesque. This study reaffirms the centrality of the free fantasia and fantastical gesture in late eighteenth- and early nineteenth-century musical culture through an interdisciplinary approach that combines the visual, the literary and the musical."--Jacket. |
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Referències a aquest llibre
Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert Robert S. Hatten Previsualització limitada - 2004 |
Musical Listening in the German Enlightenment: Attention, Wonder and ... Matthew Riley Previsualització no disponible - 2004 |