CR. The Centennial Review, Volum 32Michigan State University, College of Arts & Letters, 1988 |
Des de l'interior del llibre
Resultats 1 - 3 de 75.
Pàgina 190
... moves along at a pace unusual for Blake's pipers ( in- deed , they rarely move ) but which is matched exactly by the broad - hatted travellers ; the key figure on the Frontispiece to Innocence , one of the most significant in the canon ...
... moves along at a pace unusual for Blake's pipers ( in- deed , they rarely move ) but which is matched exactly by the broad - hatted travellers ; the key figure on the Frontispiece to Innocence , one of the most significant in the canon ...
Pàgina 194
... move that begins in The Book of Thel and ends in the Thornton images , a move in many ways the darkest but also much the most productive for Blake's fullest understanding of what pastoral is and can do . The images Blake cut for ...
... move that begins in The Book of Thel and ends in the Thornton images , a move in many ways the darkest but also much the most productive for Blake's fullest understanding of what pastoral is and can do . The images Blake cut for ...
Pàgina 207
... move in a direction which he op- poses - that is , to the right . Eschewing the impossible and scarcely desirable goal of value - free history , Wald achieves his own aim , of a work that is " partisan but objective " ( 373 ) . While ...
... move in a direction which he op- poses - that is , to the right . Eschewing the impossible and scarcely desirable goal of value - free history , Wald achieves his own aim , of a work that is " partisan but objective " ( 373 ) . While ...
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