Women as Sites of Culture: Women's Roles in Cultural Formation from the Renaissance to the Twentieth CenturySusan Shifrin Ashgate, 2002 - 274 pàgines Exploring the ways in which women have formed and defined expressions of culture in a range of geographical, political, and historical settings, this collection of essays examines women's figurative and literal roles as "sites" of culture from the 16th century to the present day. The diversity of chronological, geographical and cultural subjects investigated by the contributors-from the 16th century to the 20th, from Renaissance Italy to Puritan Boston to the Polish-Lithuanian Commonwealth to post-war Japan, from parliamentary politics to the politics of representation-provides a range of historical outlooks. The collection brings an unusual variety of methodological approaches to the project of discovering intersections among women's studies, literary studies, cultural studies, history, and art history, and expands beyond the Anglo- and Eurocentric focus often found in other works in the field. The volume presents an in-depth, investigative study of a tightly-constructed set of crucial themes, including that of the female body as a governing trope in political and cultural discourses; the roles played by women and notions of womanhood in redefining traditions of ceremony, theatricality and spectacle; women's iconographies and personal spaces as resources that have shaped cultural transactions and evolutions; and finally, women's voices-speaking and writing, both-as authors of cultural record and destiny. Throughout the volume the themes are refracted chronologically, geographically, and disciplinarily as a means to deeper understanding of their content and contexts. Women as Sites of Culture represents a productive collaboration of historians from various disciplines in coherently addressing issues revolving around the roles of gender, text, and image in a range of cultures and periods. |
Des de l'interior del llibre
Resultats 1 - 3 de 52.
Pàgina 110
... Plays identified Ophelia as ' the chief support ' of the fourth act , and she is one of thirty - six ... play ( including Garrick's ) , prompting recent critics to argue that there was a campaign to de - sexualize Ophelia ...
... Plays identified Ophelia as ' the chief support ' of the fourth act , and she is one of thirty - six ... play ( including Garrick's ) , prompting recent critics to argue that there was a campaign to de - sexualize Ophelia ...
Pàgina 130
... plays . He argues that Ghos would take into account the limitations of the female members of his company when writing their parts and make them ' easier ' to play than those played by male character actors . As a result , Caudhuri ...
... plays . He argues that Ghos would take into account the limitations of the female members of his company when writing their parts and make them ' easier ' to play than those played by male character actors . As a result , Caudhuri ...
Pàgina 131
... plays . But they could not be ( even in staged reality ) the familiar , domesticated women . These ' outcaste ' women could really only play cast out madwomen , or heroines cast away from the present by myth and history . They could not ...
... plays . But they could not be ( even in staged reality ) the familiar , domesticated women . These ' outcaste ' women could really only play cast out madwomen , or heroines cast away from the present by myth and history . They could not ...
Continguts
Introduction | 1 |
Sojourner Truths | 25 |
The Female Embodiment | 37 |
Copyright | |
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Women as Sites of Culture: Women's Roles in Cultural Formation from the ... Susan Shifrin Previsualització limitada - 2017 |
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