Viewing Renaissance Art

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Yale University Press, 2007 - 333 pàgines
This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England.
Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were invested--whether religious, cultural, social, or political.
 

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Viewing Renaissance art

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Editors Woods, Carol M. Richardson, and Angeliki Lymberopoulou-all lecturers of art history at the Open University, UK-present a strong foundation for the study of Renaissance artworks produced north ... Llegeix la ressenya completa

Continguts

Introduction
13
Florentine art and the public good 59
Renaissance bibliomania 93
Monarchy and prestige in France 133
Audiences and markets for Cretan icons 171
Art and death 209
Holbein and the reform of images 249
Bibliography 303
Index 321
Copyright

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Sobre l'autor (2007)

Kim W. Woods, Carol M. Richardson, and Angeliki Lymberopoulou are lecturers, Art History Department, The Open University.

Informació bibliogràfica