Painting in Italy, 1500-1600, Volum 35
Yale University Press, 1993 - 761 pàgines
'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.
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POSTCLASSICAL INNOVATORS IN NORTH ITALY
NORTH ITALY I50O1550
CENTRAL ITALY I 535 575 42 1
Venice 1 540 1 oo
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achieved aesthetic altar altarpiece Andrea appears architecture artistic Barocci Bartolommeo Bellini Bologna Bramantino Brescia Bronzino Cappella career cartoon ceiling Central Italian century chapel chiaroscuro Christ Cinquecento classical style classicistic colour contemporary Correggio Counter-Maniera Counter-Reformation Cremona dated decade decoration Dosso Duomo earlier early effect elements emotion energy evidence example execution expression Federico Federico Zuccaro figures Florence Florentine Francesco fresco genre Giorgione Giorgione's Giovanni Giulio Giulio Romano high Maniera High Renaissance Holy Family idea illustration invention Italy Jacopo landscape late later Leonardo less light Lombard Lotto major Mannerism Mannerist Maria mature means ment Michel Michelangelo Milan mode motifs Museum National Gallery native optical ornament painter painting Palazzo Palma Paolo Parma Parmigianino Perino picture Pieta Pontormo Pordenone Pordenone's portrait precedent Quattrocento Raphael Raphaelesque religious Roman Romanino Rome Rosso Sala Salviati Sarto Sebastiano seems sense shape temper theme Tintoretto tion Titian Vasari Venetian Venice verism vocabulary