Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryRoutledge, 1 d’abr. 2016 - 260 pàgines Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends. |
Des de l'interior del llibre
Resultats 1 - 5 de 53.
Pàgina 2
... success, or aesthetically, by such ingredients as conflict and tension, spectacles (visual and verbal), and climactic moments. “Literary practices” include the shaping of a specific intellectual and emotional content in conjunction with ...
... success, or aesthetically, by such ingredients as conflict and tension, spectacles (visual and verbal), and climactic moments. “Literary practices” include the shaping of a specific intellectual and emotional content in conjunction with ...
Pàgina 3
... successful figures on the London theater scene. The specific meanings of Greene's vitriolic remarks in A Groatsworth and Henry Chettle's protest against them in his Epistle to Kind-Harts Dreame, written two and one-half months after the ...
... successful figures on the London theater scene. The specific meanings of Greene's vitriolic remarks in A Groatsworth and Henry Chettle's protest against them in his Epistle to Kind-Harts Dreame, written two and one-half months after the ...
Pàgina 4
... success cannot be doubted; in the Prologue to the second part of Tamburlaine, he exclaims: The general welcomes Tamburlaine received When he arrivèd last upon our stage Hath made our poet pen his second part ... (2 Prologue, 1–3) ...
... success cannot be doubted; in the Prologue to the second part of Tamburlaine, he exclaims: The general welcomes Tamburlaine received When he arrivèd last upon our stage Hath made our poet pen his second part ... (2 Prologue, 1–3) ...
Pàgina 7
... success. As I shall contend, overt signs of influence began to emerge as Shakespeare gained in self-confidence, coincidentally only after Marlowe's death and at about the time he became associated with the Chamberlain's Men—in 1594 ...
... success. As I shall contend, overt signs of influence began to emerge as Shakespeare gained in self-confidence, coincidentally only after Marlowe's death and at about the time he became associated with the Chamberlain's Men—in 1594 ...
Pàgina 11
... for dramatic excess, it also pays tribute to his success. Is it of personal and also of cultural significance that the passage directs us to Marlowe and Shakespeare: Repositioning the Question of Sources and Influence 11.
... for dramatic excess, it also pays tribute to his success. Is it of personal and also of cultural significance that the passage directs us to Marlowe and Shakespeare: Repositioning the Question of Sources and Influence 11.
Continguts
1 | |
Influence and Characterization in The Massacre At Paris Titus Andronicus and Richard III | 31 |
Artistic Individuality and the Ideology of Containment | 55 |
4 Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew of Malta on The Merchant of Venice | 117 |
6 Marlowes Tamburlaine Plays Shakespeares Henry V and the Primacy of an Artistic Consciousness | 143 |
Dido Queen of Carthage as a Precursor to Antony and Cleopatra | 169 |
Imprints of Doctor Faustus on Macbeth and The Tempest | 197 |
Marlovian Incentives | 231 |
Bibliography | 237 |
Index | 247 |
Altres edicions - Mostra-ho tot
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Professor Robert A Logan Previsualització limitada - 2013 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2016 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2007 |
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