Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryRoutledge, 1 d’abr. 2016 - 260 pàgines Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends. |
Des de l'interior del llibre
Resultats 1 - 5 de 60.
Pàgina 1
... poem. A second example of this same supposed source appears in As You Like It. Attempting to ground Orlando's love in commonsense realism, Rosalind pooh-poohs the romantic notion of dying for love (IV, i, 87–100). One of her examples is ...
... poem. A second example of this same supposed source appears in As You Like It. Attempting to ground Orlando's love in commonsense realism, Rosalind pooh-poohs the romantic notion of dying for love (IV, i, 87–100). One of her examples is ...
Pàgina 5
... poetic rivalry—even though many scholars and critics are convinced that the figure portrayed is Marlowe. One of the latest advocates of this view is Jonathan But, as with other proponents of this stance, Bate lacks concrete evidence and ...
... poetic rivalry—even though many scholars and critics are convinced that the figure portrayed is Marlowe. One of the latest advocates of this view is Jonathan But, as with other proponents of this stance, Bate lacks concrete evidence and ...
Pàgina 6
... poems are thus 'antithetical' to their precursor poems. Indeed, 'A poem is not an overcoming of anxiety but is that anxiety.'”25 From these ideas, Bate concludes (as Bloom does not) “that some of Shakespeare's works are antithetical ...
... poems are thus 'antithetical' to their precursor poems. Indeed, 'A poem is not an overcoming of anxiety but is that anxiety.'”25 From these ideas, Bate concludes (as Bloom does not) “that some of Shakespeare's works are antithetical ...
Pàgina 12
... poem “The Passionate Shepherd to His Love.”58 An influence, on the other hand, although it must have had a concrete source, may or may not be able to be identified as a source, as something factual, tangible, or definable; the effects ...
... poem “The Passionate Shepherd to His Love.”58 An influence, on the other hand, although it must have had a concrete source, may or may not be able to be identified as a source, as something factual, tangible, or definable; the effects ...
Pàgina 15
... poem and in spite of the play's moments of commonsense realism, represents the very self-deluding idealization of romantic love that Marlowe's poem rejects. Another Marlovian phrase, “Was this the face that launched a thousand ships ...
... poem and in spite of the play's moments of commonsense realism, represents the very self-deluding idealization of romantic love that Marlowe's poem rejects. Another Marlovian phrase, “Was this the face that launched a thousand ships ...
Continguts
1 | |
Influence and Characterization in The Massacre At Paris Titus Andronicus and Richard III | 31 |
Artistic Individuality and the Ideology of Containment | 55 |
4 Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew of Malta on The Merchant of Venice | 117 |
6 Marlowes Tamburlaine Plays Shakespeares Henry V and the Primacy of an Artistic Consciousness | 143 |
Dido Queen of Carthage as a Precursor to Antony and Cleopatra | 169 |
Imprints of Doctor Faustus on Macbeth and The Tempest | 197 |
Marlovian Incentives | 231 |
Bibliography | 237 |
Index | 247 |
Altres edicions - Mostra-ho tot
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Professor Robert A Logan Previsualització limitada - 2013 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2016 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2007 |
Frases i termes més freqüents
actions Adonis Aeneas aesthetic ambiguity Antony Antony and Cleopatra appears artistic asserts audience awareness Barabas become beginning behavior chapter characterization characters clear comic consequences containment context continuing conventional create critics death desire Dido differences discussion Doctor Faustus dramatic early Edward effect elements Elizabethan emotional especially evidence example expression feel figure forces give Henry Hero and Leander human ideal imagination indicate individuality influence interest king language less lines Macbeth magic manliness Marlovian Marlowe Marlowe and Shakespeare Marlowe’s means Merchant moral Moreover nature notion passage perspective play playwright poem political portray possible present Press protagonists psychological question response reveals Richard Richard II role says scene seems seen sense sexual Shakespeare Shylock similar soliloquy specific speech strong style success suggest Tamburlaine tradition understanding University University Press Venus writers York