Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryRoutledge, 1 d’abr. 2016 - 260 pàgines Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends. |
Des de l'interior del llibre
Resultats 1 - 5 de 79.
Pàgina 2
... language and syntax. Along the way, I will consider not only what Shakespeare appropriated and, through refinements, made his own, but also what he rejected, especially in the realm of Marlovian values. I begin the following discussion ...
... language and syntax. Along the way, I will consider not only what Shakespeare appropriated and, through refinements, made his own, but also what he rejected, especially in the realm of Marlovian values. I begin the following discussion ...
Pàgina 7
... language and syntax, in addition to fashioning a nontraditional dramaturgy, could not have helped but influence Shakespeare, subliminally as well as consciously, especially after he saw that Marlowe's introduction of new theatrical and ...
... language and syntax, in addition to fashioning a nontraditional dramaturgy, could not have helped but influence Shakespeare, subliminally as well as consciously, especially after he saw that Marlowe's introduction of new theatrical and ...
Pàgina 11
... language; moreover, the action alluded to may well have broadened his understanding of the opportunities for visual innovation through unexpected spectacle. To be sure, the comic reworking of Tamburlaine's words is an in-joke for those ...
... language; moreover, the action alluded to may well have broadened his understanding of the opportunities for visual innovation through unexpected spectacle. To be sure, the comic reworking of Tamburlaine's words is an in-joke for those ...
Pàgina 13
... language. To its detriment, it frequently relies on Marlovian artistic techniques in its employment of language as declamation, occasions for speechifying, and ornamental excess rather than on what come to be Shakespeare's own more ...
... language. To its detriment, it frequently relies on Marlovian artistic techniques in its employment of language as declamation, occasions for speechifying, and ornamental excess rather than on what come to be Shakespeare's own more ...
Pàgina 16
... language to the exclusion of demands for artistic integration made by the characterization, plot, and language.78 Language that the playwright integrates into the play can also be self-indulgent and self-congratulatory; but, at the same ...
... language to the exclusion of demands for artistic integration made by the characterization, plot, and language.78 Language that the playwright integrates into the play can also be self-indulgent and self-congratulatory; but, at the same ...
Continguts
1 | |
Influence and Characterization in The Massacre At Paris Titus Andronicus and Richard III | 31 |
Artistic Individuality and the Ideology of Containment | 55 |
4 Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew of Malta on The Merchant of Venice | 117 |
6 Marlowes Tamburlaine Plays Shakespeares Henry V and the Primacy of an Artistic Consciousness | 143 |
Dido Queen of Carthage as a Precursor to Antony and Cleopatra | 169 |
Imprints of Doctor Faustus on Macbeth and The Tempest | 197 |
Marlovian Incentives | 231 |
Bibliography | 237 |
Index | 247 |
Altres edicions - Mostra-ho tot
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Professor Robert A Logan Previsualització limitada - 2013 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2016 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2007 |
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