Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryRoutledge, 1 d’abr. 2016 - 260 pàgines Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends. |
Des de l'interior del llibre
Resultats 1 - 5 de 60.
Pàgina 1
... death) need not be attributed to Marlowe. As You Like It also presents other opportunities for forced links when Touchstone says, “... it strikes a man more dead than a great reckoning in a little room” (III, iii, 12–13). Some scholars ...
... death) need not be attributed to Marlowe. As You Like It also presents other opportunities for forced links when Touchstone says, “... it strikes a man more dead than a great reckoning in a little room” (III, iii, 12–13). Some scholars ...
Pàgina 4
... death in 1593, Shakespeare was also making his mark on the London theatrical world and receiving major critical attention—largely because of his Henry VI plays.13 Henslowe's Diary shows that, in March of 1592, The Jew of Malta and Part ...
... death in 1593, Shakespeare was also making his mark on the London theatrical world and receiving major critical attention—largely because of his Henry VI plays.13 Henslowe's Diary shows that, in March of 1592, The Jew of Malta and Part ...
Pàgina 7
... death and at about the time he became associated with the Chamberlain's Men—in 1594. While Marlowe was alive, the awareness the two dramatists had of each other's work probably had the beneficial effect of heightening the desire of each ...
... death and at about the time he became associated with the Chamberlain's Men—in 1594. While Marlowe was alive, the awareness the two dramatists had of each other's work probably had the beneficial effect of heightening the desire of each ...
Pàgina 8
... death, roughly from 1593–1611,38 the remainder of Shakespeare's career. The catalogue of works that may be considered as possibly bearing the marks of Marlowe's influence numbers a remarkable 20. Eight Shakespearean texts—including ...
... death, roughly from 1593–1611,38 the remainder of Shakespeare's career. The catalogue of works that may be considered as possibly bearing the marks of Marlowe's influence numbers a remarkable 20. Eight Shakespearean texts—including ...
Pàgina 20
... death of Mercutio in Act 3; a more drastic shift occurs in Measure for Measure when, after III, i, 151, the potentially tragic plot turns abruptly into a comedy of intrigue. The impulse to enlarge on or pull back from the original ...
... death of Mercutio in Act 3; a more drastic shift occurs in Measure for Measure when, after III, i, 151, the potentially tragic plot turns abruptly into a comedy of intrigue. The impulse to enlarge on or pull back from the original ...
Continguts
1 | |
Influence and Characterization in The Massacre At Paris Titus Andronicus and Richard III | 31 |
Artistic Individuality and the Ideology of Containment | 55 |
4 Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew of Malta on The Merchant of Venice | 117 |
6 Marlowes Tamburlaine Plays Shakespeares Henry V and the Primacy of an Artistic Consciousness | 143 |
Dido Queen of Carthage as a Precursor to Antony and Cleopatra | 169 |
Imprints of Doctor Faustus on Macbeth and The Tempest | 197 |
Marlovian Incentives | 231 |
Bibliography | 237 |
Index | 247 |
Altres edicions - Mostra-ho tot
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Professor Robert A Logan Previsualització limitada - 2013 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2016 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2007 |
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