Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryRoutledge, 1 d’abr. 2016 - 260 pàgines Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends. |
Des de l'interior del llibre
Resultats 1 - 5 de 67.
Pàgina
... Characterization in The Massacre At Paris, Titus Andronicus, and Richard III 31 3 Hero and Leander and Venus and Adonis: Artistic Individuality and the Ideology of Containment 55 4 Edward II, Richard II, the Will to Play, and an ...
... Characterization in The Massacre At Paris, Titus Andronicus, and Richard III 31 3 Hero and Leander and Venus and Adonis: Artistic Individuality and the Ideology of Containment 55 4 Edward II, Richard II, the Will to Play, and an ...
Pàgina 2
... characterizations. I intend to follow the progression of Shakespeare toward an unabashed acceptance of Marlowe's influence, taking into account how, over time, he shifted from moments of a commonly supposed defensive belittlement—most ...
... characterizations. I intend to follow the progression of Shakespeare toward an unabashed acceptance of Marlowe's influence, taking into account how, over time, he shifted from moments of a commonly supposed defensive belittlement—most ...
Pàgina 4
... characterize suitors, not professional rivals. Roslyn Knutson points out that in Q2/F of Hamlet, the phrase “rivals of my watch” is in Q1 “partners of my watch,” suggesting the likelihood that this is the accepted contemporary meaning ...
... characterize suitors, not professional rivals. Roslyn Knutson points out that in Q2/F of Hamlet, the phrase “rivals of my watch” is in Q1 “partners of my watch,” suggesting the likelihood that this is the accepted contemporary meaning ...
Pàgina 7
... characterize it. Moreover, he must have found great satisfaction and excitement in working at the Rose with someone of Marlowe's expertise. Marlowe's innovative employment of language and syntax, in addition to fashioning a ...
... characterize it. Moreover, he must have found great satisfaction and excitement in working at the Rose with someone of Marlowe's expertise. Marlowe's innovative employment of language and syntax, in addition to fashioning a ...
Pàgina 8
... characterization noticeably resembles Edward II.36 If in fact there was dual authorship37 in the writing of Titus Andronicus, then it would suggest that, during the period that Marlowe and Shakespeare were in London together working ...
... characterization noticeably resembles Edward II.36 If in fact there was dual authorship37 in the writing of Titus Andronicus, then it would suggest that, during the period that Marlowe and Shakespeare were in London together working ...
Continguts
1 | |
Influence and Characterization in The Massacre At Paris Titus Andronicus and Richard III | 31 |
Artistic Individuality and the Ideology of Containment | 55 |
4 Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew of Malta on The Merchant of Venice | 117 |
6 Marlowes Tamburlaine Plays Shakespeares Henry V and the Primacy of an Artistic Consciousness | 143 |
Dido Queen of Carthage as a Precursor to Antony and Cleopatra | 169 |
Imprints of Doctor Faustus on Macbeth and The Tempest | 197 |
Marlovian Incentives | 231 |
Bibliography | 237 |
Index | 247 |
Altres edicions - Mostra-ho tot
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Professor Robert A Logan Previsualització limitada - 2013 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2016 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2007 |
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actions Adonis Aeneas aesthetic ambiguity Antony Antony and Cleopatra appears artistic asserts audience awareness Barabas become beginning behavior chapter characterization characters clear comic consequences containment context continuing conventional create critics death desire Dido differences discussion Doctor Faustus dramatic early Edward effect elements Elizabethan emotional especially evidence example expression feel figure forces give Henry Hero and Leander human ideal imagination indicate individuality influence interest king language less lines Macbeth magic manliness Marlovian Marlowe Marlowe and Shakespeare Marlowe’s means Merchant moral Moreover nature notion passage perspective play playwright poem political portray possible present Press protagonists psychological question response reveals Richard Richard II role says scene seems seen sense sexual Shakespeare Shylock similar soliloquy specific speech strong style success suggest Tamburlaine tradition understanding University University Press Venus writers York