Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ArtistryRoutledge, 1 d’abr. 2016 - 260 pàgines Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends. |
Des de l'interior del llibre
Resultats 1 - 5 de 51.
Pàgina
... Venus and Adonis: Artistic Individuality and the Ideology of Containment 55 4 Edward II, Richard II, the Will to Play, and an Aesthetic of Ambiguity 83 5 “For a Tricksy Word / Defy the Matter”: The Influence of The Jew of Malta on The ...
... Venus and Adonis: Artistic Individuality and the Ideology of Containment 55 4 Edward II, Richard II, the Will to Play, and an Aesthetic of Ambiguity 83 5 “For a Tricksy Word / Defy the Matter”: The Influence of The Jew of Malta on The ...
Pàgina 8
... Venus and Adonis, Richard III, The Taming of the Shrew, Titus Andronicus, King John, Richard II,* Romeo and Juliet, The Merchant of Venice,* Henry IV, Part 2,* As You Like It,* Henry V, Julius Caesar,* The Merry Wives of Windsor ...
... Venus and Adonis, Richard III, The Taming of the Shrew, Titus Andronicus, King John, Richard II,* Romeo and Juliet, The Merchant of Venice,* Henry IV, Part 2,* As You Like It,* Henry V, Julius Caesar,* The Merry Wives of Windsor ...
Pàgina 11
... Venus and Adonis, and the Sonnets. In order to invest the evidence with significance, I need to address two vital, related questions: By what criteria is the range of influence established? How does the nature of this influence make the ...
... Venus and Adonis, and the Sonnets. In order to invest the evidence with significance, I need to address two vital, related questions: By what criteria is the range of influence established? How does the nature of this influence make the ...
Pàgina 18
... Venus and Adonis; (2) Tamburlaine and (in addition to Henry V, already mentioned) Antony and Cleopatra, and, to a lesser extent, Richard III, The Taming of the Shrew, and Romeo and Juliet; (3) The Jew of Malta and The Merchant of Venice ...
... Venus and Adonis; (2) Tamburlaine and (in addition to Henry V, already mentioned) Antony and Cleopatra, and, to a lesser extent, Richard III, The Taming of the Shrew, and Romeo and Juliet; (3) The Jew of Malta and The Merchant of Venice ...
Pàgina 20
... Venus and Adonis did not belong to the same genre with similar literary conventions and purposes, there would be little point in pairing them for a study of potential influence.87 By the same token, if we did not regard Dido, Queen of ...
... Venus and Adonis did not belong to the same genre with similar literary conventions and purposes, there would be little point in pairing them for a study of potential influence.87 By the same token, if we did not regard Dido, Queen of ...
Continguts
1 | |
Influence and Characterization in The Massacre At Paris Titus Andronicus and Richard III | 31 |
Artistic Individuality and the Ideology of Containment | 55 |
4 Edward II Richard II the Will to Play and an Aesthetic of Ambiguity | 83 |
The Influence of The Jew of Malta on The Merchant of Venice | 117 |
6 Marlowes Tamburlaine Plays Shakespeares Henry V and the Primacy of an Artistic Consciousness | 143 |
Dido Queen of Carthage as a Precursor to Antony and Cleopatra | 169 |
Imprints of Doctor Faustus on Macbeth and The Tempest | 197 |
Marlovian Incentives | 231 |
Bibliography | 237 |
Index | 247 |
Altres edicions - Mostra-ho tot
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Professor Robert A Logan Previsualització limitada - 2013 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2016 |
Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ... Robert A. Logan Previsualització limitada - 2007 |
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