Music Theory: Problems and Practices in the Middle Ages and RenaissanceU of Minnesota Press - 280 pàgines |
Continguts
| 3 | |
Chapter 2 Plainsong | 31 |
Chapter 3 Monophonic Forms | 51 |
Chapter 4 Early Polyphony | 61 |
Chapter 5 Ars Nova Notation | 85 |
Chapter 6 Early Contrapuntal Concepts and Devices | 99 |
Chapter 7 Late Contrapuntal Concepts and Devices | 105 |
Chapter 8 Sacred Polyphonic Forms | 115 |
Chapter 11 Transition | 143 |
Chapter 12 Early Fifteenth CenturyDufay | 145 |
Chapter 13 Middle and Late Fifteenth CenturyOckeghem | 159 |
Chapter 14 Late Fifteenth and Early Sixteenth Centuries | 183 |
Chapter 15 SixteenthCentury Secular Forms | 193 |
Part One | 225 |
Part Two | 237 |
Chapter 18 Summary Conclusions and New Directions | 247 |
Chapter 9 Secular Polyphonic Forms | 127 |
Chapter 10 The Late Fourteenth Century | 139 |
Sources | 269 |
Altres edicions - Mostra-ho tot
Music Theory: Problems and Practices in the Middle Ages and Renaissance Lloyd Ultan Previsualització limitada |
Music Theory: Problems and Practices in the Middle Ages and Renaissance Lloyd Ultan Previsualització no disponible - 1977 |
Passatges populars
Pàgina 6 - IV. ^-h* ,Glo - ri - a Pa - tri, et Fi - li - o, et Spi - ri - tu - i Sane- to.
Referències a aquest llibre
The Goodly Spellbook: Olde Spells for Modern Problems Dixie Deerman,Steve Rasmussen Previsualització limitada - 2008 |