The Evolution of Operational Art, 1740-1813: From Frederick the Great to Napoleon

Portada
Psychology Press, 2005 - 226 pàgines

Operational art emerged from the campaigns of Frederick the Great to the end of the Napoleonic Wars. It was the result of three dynamic interrelationships: between military and non-military factors such as social, economic and political developments; between military theory and practice; and between developments in military theory and practice in France and Prussia.

In the period 1740-1815 a major change in the complexity of warfare took place. This was reflected by an increase in the complexity of the analysis of warfare via the introduction of the operational level between the strategic and tactical levels.The evolution of operational art, driven by these three dialectical processes, evolved in stages. In the first stage, Revolutionary France had experimented with operational art though with limited success. Then, Napoleon had used it with remarkable success against an adversary clinging to outdated modes of warfare and organisation. In the final stage, Napoleon's operational art was successfully challenged by the Prussian brand.

 

Continguts

List of maps
8
Introduction
18
17401791
19
17921806
37
3
41
The Jena Campaign
59
Prussian reforms
98
Campaigns of 1813
129
Bibliography Index ངཌ vi
149
35
157
59
159
98
161
142
170
145
179
148
180
205
190

Conclusion
134
Appendix
145
Notes
148
223
200
Copyright

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Sobre l'autor (2005)

Claus Telp obtained a PhD in War Studies at King's College London, and is senior lectuter in war studies at the Royal Military Academy Sandhurst.

Informació bibliogràfica