Essays on Music in Honor of Archibald Thompson DavisonDepartment of Music, Harvard University, 1957 - 374 pàgines |
Continguts
AN INTRODUCTION TO THE PREHISTORY OF POLYPHONY II | 11 |
GIRALDUS CAMBRENSIS ON WELSH POPULAR SINGING | 17 |
IMITATION IN THE THIRTEENTH AND FOURTEENTH | 25 |
THE FIFTEENTH AND SIXTEENTH | 39 |
ABOUT ORGAN PLAYING IN THE DIVINE SERVICE CIRCA 1500 | 51 |
A STUDY IN PROPORTIONS | 69 |
A CURIOUS USE OF COLORATION IN THE PIXÉRÉCOURT | 83 |
A CHANSON SEQUENCE BY FEVIN | 91 |
NOTES ON THE SIGNIFICANCE OF SEVENTEENTH | 195 |
CARROUSEL MUSIC AT THE COURT OF LOUIS XIV | 205 |
MOLL DAVIES FIRST LADY OF ENGLISH OPERA | 215 |
MUSICAL SYMBOLISM IN THE VOCAL WORKS | 225 |
DOMENICO SCARLATTIS CHORAL MUSIC | 243 |
THE VERSIONS OF 1928 | 265 |
THOUGHTS ON THE CHORDAL CONCEPT | 273 |
PROBLEMS OF CHORAL TEXTURE IN THE TWENTIETH | 279 |
EQUAL VOICES IN THE A CAPPELLA PERIOD ΙΟΙ | 101 |
MODAL HARMONY IN THE MUSIC OF PALESTRINA III | 111 |
TEXTURE VERSUS MASS IN THE MUSIC OF GIOVANNI | 129 |
IRRATIONAL DISSONANCE IN THE ENGLISH MADRIGAL | 139 |
WATERMARKS IN CERTAIN MANUSCRIPT COLLECTIONS | 147 |
THE SEVENTEENTH AND EIGHTEENTH | 159 |
AN EXPLANATION FOR AMBIGUOUS | 173 |
DYNAMICS IN SEVENTEENTH AND EIGHTEENTHCENTURY | 185 |
OPERA IS NOT WHAT IT SHOULD BE | 293 |
MUSIC VIA TELEVISION | 303 |
CONTENT AND PURPOSE | 313 |
CHURCH MUSIC | 325 |
CHURCH MUSIC | 331 |
SCHOLARMUSICIAN AS TEACHER | 337 |
A BIBLIOGRAPHY OF ARCHIBALD THOMPSON DAVISONS | 351 |
Copyright | |